What I Didn’t Photograph in an Hour

Max and I walked at the Bow River when the light was flat.  The sky was cool white-grey on warm white-grey and I thought that it was interesting that I could see one thick layer on top of the other and that there was no part of white that seemed transparent.  The sky was a panel of two colours, layered.  In front of the panel, brilliant white snowflakes fell, angled, to the ground.  The wind was bitter.  I pulled my hoodie up over my ears and hair and soon after, also the hood to my coat.  My cheeks were cold, but the wind was to my back, definitely pushing us from the north.  We were walking in a blizzard.  The landscape was softened in a white fog and the river was umber/ultramarine dark.

I stood still beside Lauren’s bench and looked at my phone.  A string of little bells had set off earlier and I knew that it was my daughter.  Some people write about things in very lengthy threads.  Some break their ideas into little bits and send them like jewels across time and space and through this abstract world of possibility and connection.  My daughter’s loving messages came to me…I typed, in return…

“Teachers earn their wage.”

“I’m worried about my eagles, especially the youngsters.”

“I’m booking off tomorrow.”

“I love you.”

She replied, “Love you too”

At her ‘love you too’  (and you likely won’t believe this), one of the juveniles, deepest umber and back etched in a layer of snow, flew directly in front of and past me, over the churning river, heading south on the cold wind, his wing span, forgotten.  Yesterday, in autumn, I saw both Dad and his new woman and that had given me a lot of peace.  I know that everything is natural to these raptors, but in my depth of gratitude for what pleasure they have brought to me, I am concerned, in the same way as a person is concerned for any creature that faces such a brutal winter.

Max spooked.  He and I saw the white-tail at the same time.  She thought she needed to bolt, but I assured her very quickly by moving Max and I the opposite direction and instantaneously averted my eyes and forced my excited dog to submit to me.  We walked closer to the water.

I found it interesting that the gulls were so active, weaving in and out of one another and skimming the surface of the water.  These gulls have a huge wing span.  And they seem very hardy, performing every sort of maneuver, often directly into the wind.  I stood still, very close to the river’s edge, and watched them.  Max nuzzled his snout deep into the cold snow, now and then, eating a bit.

While foot falls seemed swallowed by the snow and sounds were muffled, airplanes overhead were loud and interfered with the great mystery that is always lurking around each bend, the unknown, the hidden…waiting through every season, especially when a woman and her dog are alone, unremarkable, quiet.

My Canon was warm next to my chest and zipped under my winter jacket.  My phone rested in my right hand pocket.  I grabbed it and snapped three photographs of the distinctive textures of shrubs, still fully leaved, having lost the sense of autumn far too quickly.

A cacophony erupted from the east and over our heads, flew, in perfect formation and with winged concavity in synchronized motion, a huge number of Canada geese.  I would have snapped a photograph.  Such a beautiful pattern against the backdrop of our second big snow.  They strategically came to rest in the shallow channel of water that separates the small island from me.  A loud bit of sorting, their voices raised havoc on the river, the gulls, now, engaged in the mix up.

Once stepping into the deep woods, I turned my eyes upward in order to look for the dark form of the juvenile, but he did not reappear, so he must have gone beyond.  The snow pelted my face, not as much flakes as crystals.  I naturally opened my mouth.  I brought my face down, in gratitude, for having seen him at all.  The sky was turning a darker shade of grey and so I continued through the tall grass, now weighted down with snow and fallen across the worn path of summer.

Eastern starlings, many of them, lifted up and out of the golden brown canopy in unison, seeming alarmed but uncertain of where to alight.  It was as though they were of one mind…but, what part of that machine would decide/move/land and why would all of the others follow?  They disappeared.  I wondered if I had actually witnessed this.

Heading back on the groomed pathway and then once again, cutting through the trees, I saw her surrounded in the shrubs and wearing an aura or a crown of golden leaves.  Her eyes were deep black, dark pools of gentleness, her nose, just as dark.  I cautioned Max.  She stood perfectly still in an almost-grey silhouette.  I spoke assuring words for absolutely no reason until we had passed.

These are the moments at the river.

This is a culmination of an hour, not snapping photographs.  This is how people used to remember.

 

 

 

Outline by Rachel Cusk

Recently, I’ve found myself in the enviable position of reading during the day, instead of just before bed.  Reading nicely places another narrative in my head and I no longer ruminate about absolutely everything that’s happening in my own life, right before bed.  Naturally a worrier, my own life used to keep me up at night.

One of the books I read last month was one of a trilogy by Rachel Cusk, Outline.  I’m presently reading the second, Transit.

The structure and approach to Cusk’s writing in Outline is fascinating.  I hesitate to recommend this book, however, given that it is such an interesting read.  My friends don’t necessarily like my take on ‘interesting’ reads.  I missed the book discussion on this one.  It was held at the Fish Creek Library.  I did, however, drop my notes off to the desk one day, hoping that my group would get my take on the read.  In the end, I learned that the notes didn’t get passed on to them.  But, I wasn’t surprised to learn that no one in my circle enjoyed the book.  I wasn’t surprised with that news.

A female writer boards a plane headed for Greece.  She will be conducting writing workshops shortly upon her arrival and also taking in a bit of sun.  What happens on the flight is that she meets that person sitting next to her…he’s like every other person you stand next to in line or the one who sits across from you in class.  He is the person who sits alone at a table in the restaurant where you are reading your book and eating a salad at the same time.  These people in our lives are like ‘outlines’…we have no context with them…but, what Rachel Cusk does is she creates their stories, generously building their motivations, passions and needs…their vulnerabilities and strengths.  The reader is witness to the building of each character.  It’s remarkable.

I am fascinated with the exercises that the protagonist creates for her classes and with the participants’ reactions/responses.  I suggest, strongly, that you give this book a chance.

A couple of moments particularly delighted me.  I am captivated when one of the writer’s students walks under an open window and hears a familiar piece of music…oh my…so wonderfully- described and so rich in meaning! (page 138).  In truth, from beginning to end the syntax and the description is refreshing and new.

Cusk’s writing is thought-provoking.

On page 245…

“She had sat there, she said, and thought about her own lifelong habit of explaining herself, and she thought about this power of silence, which put people out of one another’s reach.  Lately, since the incident – now that things had got harder to explain, and the explanations were harsher and bleaker – even her closest friends had started to tell her to stop talking about it, as though by talking about it she made it continue to exist.  Yet if people were silent about the things that had happened to them, was something not being betrayed, even if only the version of themselves that had experienced them?  It was never said of history, for instance, that it shouldn’t be talked about; on the contrary, in terms of history silence was forgetting, and it was the thing people feared most of all, when it was their own history that was at risk of being forgotten.  And history, really, was invisible, though its monuments still stood.  The making of the monuments was half of it, but the rest was interpretation.”

In Rachel’s writing, her characters speak…they talk about themselves and we know them like we can not know other characters in other writers’ books.

I see parallels between Outline and my repetitive painting of a single bush at the edge of a pond.  It is the atmosphere, surroundings, weather/season, even the time of day that fleshes out what the bush is.  In part, this is why I responded to this book as I did.  The character (writer) surfaces out of the development of everything around her.

Download

It has been a cool and wet few days in Calgary, even to the point where we received a skiff of snow in September!  I was cautioned that I had no room remaining on my cell phone, so yesterday I downloaded from my album onto my desktop hard drive.  The thing about downloaded photographs is that I was, once again, reminded that life has sped by, filled to the brim, even in the most simple or dark circumstances.  There is so much that I haven’t written about or recorded.

I’ve read several books since spring and would really like to update my reviews, even if they are sparse.  So, that will likely still happen.  But, for today, I feel my thoughts are incredibly influenced by the book I am presently reading, H is for Hawk by Helen Macdonald.  It is my new favourite book.  I am profoundly moved by it and I’m hanging on every word.

As a result of this reading, I want to post a few photographs from recent walks at the Bow River.  Yesterday, Max and I headed out in the rain.

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When the earth is wet, there is such a rich and beautiful aroma that surrounds me while passing through the woods and beside the river.  I am at a loss for words to describe this because any description would not do the experience justice.  Also, there is a hush, apart from the drops of rain coming down from the tree canopy…it is a mystical silence…peaceful, even though I know that the entire landscape is vibrating with life in hiding.

Yesterday, stepping about in tall overgrowth, Max and I took pause…listened.  I heard a hollow clomping sound on round river stone, just to our right.  Uncertain, we remained still.  I held my breath and listened.  Max was alert.  I was alert.  A few more steps.  Stop.  A few more. Stop.  When once we began again, with a great explosion, a young deer sprung out and wildly flew deep into the trees.  Max erupted into a fit of barking and it felt like everything around us woke up!

I watched the juvenile Bald Eagle, an Osprey, a Hawk, Cormorants and Pelicans all struggle to find sustenance.  It was so amazing to watch the dynamic and to appreciate the effort involved.  At a point, the Bald Eagle, displaying his remarkable wingspan, swooped down upon an American Pelican.  He is not yet adept at his hunting and is frequently cutting corners by having others do his work for him.  Similarly, he dove into a gathering of Cormorants, investigating the possibility that there might be food among the opportunists.

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The Osprey, tucked secretly in the dark shadows of trees, swooped out aggressively, in order to give chase to the Hawk…crying out desperately as he flew so fast that I couldn’t identify him.  He had shared the east side of the river with me for a while, tearing into the hedges and thick shrubs and sage, likely in pursuit of rabbits and other small animals.  There was never a chance to get a good photograph.

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The Bald Eagle juvenile was looking intently from his low perch,  at these Killdeer…there were scores of them across the river from me.  If you’ve heard a single Killdeer, you may understand why the Bald Eagle is drawn to a location where twenty…maybe thirty…are calling out.

Can you spot two in the photograph below?

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Can you spot the Osprey here?

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I have watched the eagles for a little over a year now…given Michael’s prompting to leave the pond during the rip and tear of the Southwest Ring Road development.  I am so grateful for the life I have been able to observe at this location and for the healing experience this daily walk has begun in me.  As I write this post, I am feeling very blessed for a whole lot of reasons.  I hope that if my readers feel sometimes that life, like a sweater, is unraveling, one source of divine life and love can be found in an intimate relationship with nature.  I know that it’s helped me.  Here are a few other moments with the raptors this year.

 

 

I have been blessed by my walks at the river this weekend…I keep saying to myself, through winter, I don’t want to forget the purple.  I don’t want to forget the gold and red.  I will carry it with me.

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What Comes to Mind at the River

Reading and then meeting Kyo MacLear affirmed, for me, everything that’s been formulating inside me the past several years…about birding, art, nature and life.  Many things have formed me into this person who shows up at the Bow River around 10 on a winter’s morning, taking pause above the river and observing wildlife.

My friends and family wonder and ask…mostly not asking anymore, “What are you painting?  Why don’t you paint?”  and at those questions, I can only sit with who I am and be grateful for the grace of anything and everything that led me to this place where I find myself.  As I drove up from the parking spot this morning, I just kept saying, aloud, “I love my life. I love my life.”

I will paint again.  But, the truth is…painting was a lot about ego.  It was a lot about around-the-clock commitment.  It was about trying to balance full time work, raising children and keeping it all together.  My stomach sometimes hurt as deadlines for shows approached.  I was terrified in front of blank canvases.  I couldn’t assert myself with dealers, set boundaries or say what I needed.  I didn’t have money to buy those outfits that seem to be required if you are an artist, especially a female artist. Painting had lost its magic and so, when I paint again, it will be profound because it will be for all the right reasons, not for all the wrong reasons.

Doris McCarthy said, “Paint every day.”  I think more about her as days go by, without painting, than anyone.  She explained how those muscles work.  She explained how time also rushes by. Doris was my friend and she gave me a lot of strength. I think about Doris when I know that I will physically paint again.

Now…did the painting really stop?  I argue, “No”.  I have been intensely researching my next body of work for years now…having painted about 15 panels related to a Covenant series, I then began to connect again with the landscape.  It just happened.  It happened at the reading of two poems, the first,  The Wolf Between the Trees by George Bowering.  I used his poem, with permission, embedded in the poem along with a cup full of ash…remains of personal papers I had burned in the studio.  This is the painting…

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and secondly, a tribute poem written by Paulette Dube for the Caribou.  I’m including her words, here.  I hope you will read them.

In the new days, magic was on the surface of things, the shine of it all, quick and bright and fast as new rivers.

 Now Rivers winds Under Earth, has to be convinced, to play her deep song, entreated , to show herself.

 The Celts call these « thin places », where the other side is so close, the veil shivers your arms as you reach through.

 The First People travelled (sic) these sacred pieces of earth, to think on things in the presence of Creator.

 I know them as mountains.  I see them with my spirit eyes, walk them with blood and bone legs.  They teach, as clear as bird song or scolding squirrel lesson, bracing as clean water through moss.

 This alpine terrain is grey onion paper, thin as ash.  Feet must be wide to avoid lace-like flower and moss, spider web and lichen.        Be mindful.

 The Creator’s ear is earth as we do not see it.  Make joyous noise if you want to be herd.  Get yourself a song and string from bone to bone, a home of light and wind.

 She moves.  She feels her calf, inside, taking nourishment from her own bones and teeth.  The calf moves (as my son once did)  deep in the dreaming place.  The cow’s thickening body keeps the Small one warm, keeps him from hunger, keeps her     moving.

 Born where the dark forest gives way to lake, loon’s perfect call – silver sharp tremolo – traces the surface of this morning sky :  clear as mountain water scythes the earth.

 Loon calls from the lake face, that voice – shapes my form-    coming through the trees.

 The land reacts to our presence when we belong

 Noise of a sow grizzly and her two cubs.  To each a place, to each, a means of prayer and play.  To each, the necessary silence.

 Sacred whorl of grey and brown, blow open the gate.  Allow a wild glimpse of self.

 When you descend to leaf litter, feathered legs and all, you are an angel – touching Earth.

 The engine that is me, hears the song that is you…

 …coming together is a song I cannot bear for long.  Satiated by my own irregular rythmes.

 Promises shape who we are, what we will become –

we pray.

 His brow is unfurrowed.  Streamlined, he walks the wind, easily.

 Healing is water over stones, wind over grass, gaits – fearless.

Feral hearts wander – oblivious to fences of human design.

 Survival embodies existence but – does not define it.

 He moves through sunlight to scrub, deliberate – elemental – muscle.

 Hummingbird hears colour – Coyote knows crack in a leaf is direction – Bear walks trail made of wind.

 If Humans could once again divine the essential – would we find home ?

 A candle in a church is a thing of beauty – a flame in the wilderness is a miracle.

 Find something big to pit against – to throw loneliness into –  Amid bone, snow and stone –   caribou.  The precious, the delicate of design – we live here.

 Fire and earth – water and air – there is no room for anger.

 Memories permit us to speak of things –

our heart tends to in the night.

The resulting painting, upon hearing this poem is posted below.  The words to the poem are written into the painting.  It was at this punctuation mark in my life, at this painting and the other, that I realized my painting would always be about ‘place’.

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So, as an artist, what I’ve been doing ever since is sorting that out….the surface, the paint, collage, text, subject matter.  It might take a lifetime to make sense of it.  I don’t know.  But, in the meantime, I am energized and interested and creative and LOOK!  I write!

Everything I’ve been doing, in the sorting,  has made for this wondrous life of mine.  It’s taken me out into the landscape.  It’s caused me to notice more.  It’s manufactured poems, paintings, photographs and connected me with videographer, Liam of Beam Media and the photographer,  Jack Breakfast.

And this morning, I met Doug Newman.  It was after two cups of coffee at home and after two posts about books that I have read that I headed out into the cold with Max man.  The roads were bad, so I decided to get us down to a parking lot that edges the Bow River and to explore the first wintry day on the river.  There was only one other car in the lot…a man speaking on his telephone.  Max and I headed out.

This is what I wrote once back inside the car…and after snapping four photos on my cell phone…and after turning up the heat and settling in with CKUA.

I didn’t bring a camera with me, but hiked the edge of the Bow River this morning. I watched a Bald Eagle fish, its wings, so powerful. Three times, it landed on tree tops to the left of me, by 200 meters. The geese, exhausted and resting, lifted off of the dark water, along with the cacophony of gulls each time the eagle dove toward the water. Two deer swam, gracefully, from this side and shook off like wet dogs, once arriving on the shore across from me. A perfect morning.

From an interview with Kyo MacLear, writer of Birds, Art, Life… this…

Q: In the book there’s a list, the “Pantheon of Smallness,” in which you compare items such as blackbirds and Rembrandt’s etching. Equating the arts with nature was deliberate, no?

A: It was. It was also a bit playful. I wanted the readers to come in and fill in their own ideas. The Pantheon of Smallness was a way of thinking about smallness differently. Sometimes we make small things, sometimes there are small bird songs, but it can have an enormous impact. Sometimes you have to whisper to be heard. Our culture is very much one of “bigging it up,” always upping the noise level in order to produce a louder signal. What you see in the bird world is sometimes that the smallest tweet can actually pierce through the cacophony in a different way. That became a metaphor for thinking about art. Emily Dickinson did quite miniature work that had a very profound, almost epic, impact, culturally speaking.

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While typing that paragraph, I saw the gentleman leave his car, carrying a camera and sporting a huge lens.  I watched, discreetly, as he took photographs.  I saw him pan as geese took flight.  I saw him quietly observe for quite a long time.  Finally, as he turned to get back into his vehicle, I rolled down my window and we began to chat.

It turns out that Doug also posts photographs to Alberta Birds.  We introduced ourselves to one another and I began to ask him questions about photography, equipment and we shared some of our ‘bird’ moments.  It is such a pleasure to discover another birder along the quiet pathways of my every day.  It was nice to experience his enthusiasm and his excitement.  He opened up his photograph of a goose taking flight and I was in awe of the detail and the strength captured in that single image.

I love my life.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Poems of Clea Roberts

The poetry of Clea Roberts has been a source of great inspiration since attending a Wordfest session, Into the Quiet, this year.  Every poem is an elegant string of words, sparse but potent.  I am left, after reading, with a sense of wonderment about this world of ours.

Because of the immediacy of social media, I have been able to access other people’s travel, adventure and world exploration over months and years…Nepal, Venice, Spain, Croatia, Haida Gwaii.  I get the sense of how vast our life experiences can be…to eat seafood in Japan, observe the art of the masters in far off galleries, stand at the top of the Empire State building.  I enjoy all of this very much.  It all comes into my home, while I sit in my pajamas at the keyboard, with my cup of coffee on the desk, to my right.

However, nothing moves me more than these poems.  Because somewhere in these images, lies the remembrance of camping with my parents, the smell of woodfires burning, the soft conversations as neighbours drift off to sleep.  The childhood listening.

It was some years ago that I spent time observing this schematic, the scale of the universe.  I realized even before encountering this illustration that just as there are so many more places to explore beyond our own communities, there are a multitude of places to visit in our own intimate surroundings, and to go deeper still, there are internal landscapes to explore.  The universe offers so many compelling and endless possibilities for discovery that it is an easy thing to become fascinated with the world that lives even on the petals of a flower.

The poems of Clea Roberts take me to that beautiful intimate place of connection in a much smaller place, full of limitless possibilities.

In the meantime, for two weeks, I have been observing a single Horned Grebe on a pond, hoping to capture just one focused photograph.  I have watched muskrats frantically building winter homes in the cattails on the north side of the fence while bulldozers plow and reshape former dwellings.  I see miracles every evening as the sun begins to set.

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One poem to share this morning…from Auguries by Clea Roberts

If Suddenly My Dreams Are Premonitions

There is music or
there is snow falling
on the white-tailed deer.

They strip the ash berries
with precise, needful tugs.

There is music or
there is the gliding silence
between their hoofbeats
as the wind changes.

An introduction is made.
A small part of me
goes with them.

 

Where I Live Now by Sharon Butala

It was 1996 when I received the gift of Perfection of the Morning from a friend.  Sharyn had grown to mean so much to me over the years, having taught my children and worked along side me for the strength of Fine Arts in Education.  Her gift was a blessing and I began to list Sharon Butala as one of my favourite authors.  I felt Butala’s work really move my life forward in positive and meaningful ways.  Interesting that yesterday, when I looked over my shoulder from the front of the crowded room at the Fish Creek CPL, I should see Sharyn sitting in the back row.

The book on the program for readings and discussion was Sharon Butala’s Where I Live Now.  I was flanked on either side by two dear friends, Pat on one side and Denise on the other.  I had never met the author and was beyond excited, packing up all of my books for Sharon’s generous signing before the session began.  Because Denise knows Sharon personally, it felt as though I was sitting down next to a friend when she sat in the front row, with my stack in front of her.

This short post is a snapshot of the afternoon, not so much a personal book review, although as I’ve written on this blog since 2005, there are posts along the way that were impacted by my readings of Butala’s books…one being Wild Stone Heart and Other Matters.

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The Globe and Mail review, written by Alix Hawley, eloquently expresses…

For all that, Where I Live Now isn’t a map of grief’s progress in the mode of Joan Didion’s The Year of Magical Thinking, to which it refers several times. Butala’s quiet and unusual book is an excavation of the Prairies, rural life and, above all, herself. She declares: “With this memoir, I hereby claim forever my portion of that country whose many layers … still resonate in my imagination.” She also claims an archeological knowledge of her own soul, now that she is in her mid-70s, and the right to take us through it. We’re lucky to go along.

And that is how I felt yesterday…blessed…enriched…treated to a very special moment on a Sunday afternoon.  Sharon’s eyes lit up as she enthusiastically described her experiences on the ranch, her memories, transitions and disappointments. In good humoured and delightful fashion, she talked about the prizes of writing and the surprises of writing. Vulnerable, she spoke of loneliness, identity, and hope.  The topics in discussion were ones that often cross my mind as a 62 year old woman, single in the world.

I think that one of my favourite moments, related to the book, was the recollection of the special day when Sharon edged the top of a ridge, to look down and see her husband, Peter, sleeping in the grass in one of the fields…I felt as though she had let us in to a very private and pivotal moment in her experience.  I felt very touched by that.

I enjoy the company of my friends and treasured conversations with Denise, Pat and Sharyn.  What a lovely way to spend Sunday afternoon.  Thanks again, CPL.

The Back of The Turtle by Thomas King

I still had 100 pages to read when I drove north to the Forest Lawn Branch of the Calgary Public Library to participate in a reading circle with Aboriginal Pride with 12CSI.  These meetings are aptly titled, Chapters and Chat Meetings and the book up for discussion on my birthday was The Back of The Turtle by Thomas King.

I poured myself a hot cup of coffee and filled my plate with fresh vegetables, fruit and dip and made myself comfortable in a circle of, this month, ten people.  I was pleased to meet up with friend, Roberta, a writer I recently connected with at a Jazz event.

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Photo Credit: Michelle Robinson (group leader and inspiration)

The meetings are always full of discussion and they ground themselves in truth and honesty.  Every person’s voice is heard respectfully and I find this process very powerful and helpful in my quest to understand and respect diversity in every aspect of life in contemporary society.  Some of the discussions that took place, this week, included science and the silencing of scientists, reconciliation and healing and the ‘Stereotypes in Toeshoes’, and a follow-up discussion about Joseph Boyden; his writing, self-identification and the CPL session of a couple of weeks ago.  A very interesting exchange of ideas.

Yesterday, I finished the book, The Back of the Turtle, and thought I’d write a brief comment.  In the end, I’ve decided that this is a beautiful novel…an easy read…nothing too complex and yet, lovely, for its setting and its contemporary challenges to the reader.  The book moves easily back and forth between Dorian’s struggles as they unfold in the role of CEO for a BIG corporation and Gabriel’s struggles as they unfold for a ‘guilt-filled’ scientist in a formerly-idyllic and Eden-like setting named Samaritan Bay.  Even the turtles have gone.

Thomas King writes a novel that offers the reader inroads to a mythological place through a combination of Christian and indigenous narratives.  He warms the heart with such rich characters as Soldier and Sonny.  He describes an intricate and symbolic beacon of hope, eventually constructed on the beach.  It is a story of optimism, in the face of utter destruction.

I loved the very heart-breaking description of the mother turtle, the empty aquarium, the empty houses…

I liked the story of The Woman Who Fell from the Sky.  Donna Rosenberg has recorded anthologies of myths from all over the world.  Very little is published about her biographically.  I wanted to link up to a version of this myth so that my readers might enjoy.

I liked the book.

For next month, we are reading The Inconvenient Indian by the same author.

The Back of the Turtle

It’s Been This Kind of Day

I have to thank my new birder-friend, Bob, for his share of the story of Mrs. Shoveler on the Bird’s Calgary site, today.

I began writing on-line in 2005. In writing to an ‘imagined’ public, I discovered a public voice.  I learned to write about events that took place in my rather simple life in a way that could be explored and shared with any reader. There was a line that I refused to cross, a line that delved into the realm of the very personal.  I’ve enjoyed learning to narrate my life, while reigning in my voice to a degree.  In my head, I always remarked, “Only write what you feel anyone could read.”  I suppose the closest I ever came to crossing that line was at the loss of my mother.

I was in my father’s office, at the computer desk, the summer of her passing.  It was so bloody humid.  Dad tried to keep me from opening the windows because we had to have air conditioning or we were going to melt!  Whenever I would sit to write at the computer, I would secretly slide the window open to the right of me…in the night time, there was such stillness…not a breeze.  I remember writing this.

A lot of bloggers get weary of the process of writing after a while, but for some reason, I find the flow of evening-writing,  a wonderfully relaxing practice.  My initial story of Mrs. Shoveler and my effort to retrieve her from a small piece of open water achieved over 400 hits in an hour after publication.  I know.  I know.  I don’t really have a swollen head over this.  It’s not what the on-line crowd would call ‘going viral’, but, I was deeply touched that so many readers care about wildlife enough and in this case, a hen Northern Shoveler, that they would peruse the events that took place in the bitterly cold days of last December.  The follow-up story, involving the re-appearance of this dear bird, sent the numbers soaring yet again.

Well, today, with gratitude to Birds Calgary, more readers have visited and I’ve really enjoyed comments and messages and reactions.  So, readers, thank you for all of that.

This was my day…while Max and I played in snow and I met Abir again, after so long, and I made and enjoyed such a beautiful stew…while every thing was happening in my life, this is what was going on in the hum of the background.

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Writing on the Studio Wall

I have a long history of writing on walls.  But, what a friend recently told me is that Sharpie fades and will only last so long on drywall. (this explains why my affirmations, written on my bathroom wall in metallic gold pen, have begun to disappear)  So, as I looked at my studio walls, I DID realize that many of the original song lyrics and early writings of friends have begun to disappear.  I have documented these so that as they fade, they can be remembered as they become a part of the history of place.

I’ll begin with the most recent signing…that of my furnace tech, having just cleaned out my furnace and vents for this year.

If you do not see your writing on my wall, it is time for a studio visit!  Scout…looking for your writing. ;0)

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I need to change my filter more often.

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Annie Lennox: The Saddest Song I’ve Got (yup…sometimes when you’re painting, you feel sad and I would have been playing this CD while I painted, likely after I saw her playing a concert with Sting.)

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My oldest Kananaskis Country map plastered on the studio wall. I think about the mountains whenever I’m not in them. When I thought to, I recorded the odd hike…just so that I could remember the circumstance. Most times I forgot.

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Oh my gosh…winter hot dog roast at Sandy McNabb…that was a long time ago! I DID DO RAE GLACIER again!

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I didn’t keep this up…but, I thought it would be cool to list the new CDs that came into the studio. Don’t know what the Martha Stewart Wedding memo was about.

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This boy has a big influence on me. He got over some addictions. He helped me recently.

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Alan put up some shelves in the studio when I first built it…now, that was a long time ago! It seems we reused wood. I painted it up and it looked great. I remember when the studio was empty.

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Pat, from the Ironwood, was out with another buddy. I was bugging him about the fact that when the move happened from the present day Blue’s Can, they took Mussels off the menu. We were drinking wine in the studio that evening. These things happen.

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My niece, Mandi, wrote beautiful words for me on the morning of my first born’s wedding…and it’s almost impossible to read them anymore. I treasure them and always will. I send her love, abundant love.

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Bee, my dancing partner, when there’s good Honky Tonk music playing, continuously shares hilarious bits of blah blah…usually, I write them down.

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Oh, good grief…weird stuff ends up hung on my studio wall, but, I am always prepared. Nothing’s worse than having to leave a painting, in order to floss your teeth…and times wasted looking for it.

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Oh my gosh…I was obsessed with getting large storage for my big canvases. Thank you to all my friends and family who had to listen to my musings on this subject and to the two men who eventually built them. I’ve been afraid that they are going to fall on me while I paint, ever since. lol

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Yes, I was this obsessed. To the right, a beautiful mosaic created by a Larche artist, a gift from Father Clair Watrin a zillion years ago.

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One view of the storage that I love so much.

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The other side…

 

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Chris and Clayton…former students. Every so often the kids come back to visit…they’re both grown up now. We don’t forget, though. Proud of both of these dudes.

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Broken hearted, I cut three travel journals up into little squares, when my trucker boyfriend dumped me over the telephone. (I may as well be honest). Chances are that if you’ve got one of my paintings since 2006, one of these squares is buried in your painting. I thought it would be good to send a bit of my heart out with each new piece…the nice thing to announce is that it barely hurts at all any more. This is what happens with broken heartedness.

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Awe…my cousin, Clayton, just before he headed out for a huge walk for the support the Kidney Foundation? Correct me, if I’m wrong, Clay. Karina and Clayton…a gift to share an evening with them.

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Jen Hall took the first and only ‘real’ portrait that I’ve had done of me…and Max…and she documented a few paintings for me. She’s awesome.

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I have a habit of picking up things in old frames, especially if they look like they were hung in some one’s kitchen for a zillion years…where mayhaps tea was served and ladies talked.

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I read stuff about our animal/bird/insect/plant species that are in trouble…I clip them here…I don’t want to forget. Some of these land in paintings…it all depends what I’m thinking about at the time.

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My son….he was my very young batman…he wanted to keep everyone safe and happy and calm. These are two of my favourite photos of him. The other one…well, you saw it earlier.  James and sister, Cayley, at Angel Glacier.

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Yeah…more journal squares…a piece from Ashleigh Bartlett’s workshop at Esker…more salvaged religious memorabilia from the second hand stores…a postcard of Tim Belliveau’s glass…my all time favourite glass artist.

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Book suggestions…words from my sister-in-law, Grace. Aaron, Angela and Wisdom visited me and took away my teaching table so that I would never, again, be tempted to teach in the studio, but instead, paint.

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Yes…my daughter’s wedding. Trying to remember neighbour’s names…

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Karina…beautiful. I wish more of my relations from Raymond and Lethbridge and Magrath would stop in for visits. Love them so much.

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Youngest person to visit my studio…Wisdom is growing up so fast. Love the Sponge Bob!

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Leaves of Grass: Walt Whitman Read it! WHEN the true poet comes, how shall we know him— By what clear token,—manners, language, dress? Or shall a voice from Heaven speak and show him: Him the swift healer of the Earth’s distress!

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Bill used to move my art…I loved him so much.

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Bill Webb…still painting luminous landscapes of the Livingston Range and winter roads. New adventures are happening for my dear friend.

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James Blunt…during heart wrenching moments in the studio.

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Margy…oh my gosh…how many times did we watch the music video and sing along with this tune??

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Bob Nelson…drove all the way from Helena and we went down to Knox and listened to acapella music. High school friend and talks about life, the world and Kant. I’m catching waves.

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I didn’t see this note about the scissors until today. Cayley, sorry that I wasn’t helpful. lol The scissors are hanging in the scissor place over there!

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Beautiful lady, Angela. And, I guess some sort of recommendation from Dylan. Dylan and Kristan, former students, have visited. But…it’s been a while. Both are doing inspiring and exciting things. I still have a JH self portrait in a portfolio for Kristan to pick up. lol

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Oh dear…I can’t read this. Can you? Please let me know…something about meditation…I can read “Remain Radiant”

REMAIN ‘RADIANT,’AS JOYCE PUT IT, IN THE FILTH OF THE WORLD.

The goal of life is to be a vehicle
for something higher.Keep your eye up there
between the pairs of opposites
watching your play in the world.Let the world be as it is
and learn to rock with the waves.Remain ‘radiant,’
as Joyce put it,
in the filth of the world.”~ Joseph Campbell, Excerpt From: “A Joseph Campbell Companion: Reflections on the Art of Living.” Joseph Campbell Foundation, iBooks

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This young man…an accomplished and published photographer/journalist out of Toronto. Look for his stuff on cars…and his road trips! Proud of you, Clayton.

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My brother, owner of Cliff’s Chinook Charters out of Comox, wrote about the plight of the salmon. I love my brother…he knows how much I think about him. I caught a big one out there, while sharing a trip with my daughter and father.

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Leslie Champ, former student and amazing man! Christmas visit 2013. The little piece matted in purple, a piece of art created by student Katie McGreevy for me when I taught at St. John’s Fine Arts School…again, a zillion years ago. A couple pieces of my paint-by-number collection.

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I cherish Leslie’s words.

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Jen…another artist extraordinaire. A part of a powerhouse teaching team at AGC when it was before the boss woman went down in flames.

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Middle Child, daughter Cayley, is one of my two daughters. Both have taught me about courage. I could not have learned the lessons of courage in life, without them.

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Thank you.

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Rita, I miss you. You opened up so much discourse. You supported me.

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First born. I can’t type anything about her without getting teary. Such a warm, funny, organized, loving human being! Brave! Pam and Larry, that was a fun night! Such fun!

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“The life I touch for good or ill will touch another life, and in turn another, until who knows where the trembling stops or in what far place my touch will be felt.” ― Frederick Buechner, The Hungering Dark

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lol You’re welcome, Larry.

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In two places.

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Jen, I miss you. A bit of a piece done with Asheigh Bartlett, as a response to work by Jack Bush.

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People leave me stones, shells and earth from places they have traveled…these came from Australia. Thank you, Bob.

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Natasha…former student studying art in Vancouver. Love you and so proud of you.

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Darwin stones.

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Prince Edward Island Sand…touch it every once and a while and my mother comes to mind.

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Shells and stones…Prince Edward Island. I get teary looking at these.

The Goldfinch by Donna Tartt

The summer of 2013, I was also staying with my father.  That is the summer that India swooped into my hands and I read her.  Grieving for my mother, I went deep into a couple of epic narratives, Shantaram by Gregory David Roberts and A Fine Balance by Rohinton Mistry.  I immersed myself, much as I am this summer, in a lot of Al Purdy poetry and George Bowering poetry, as a way of dealing with loss and feelings that not only bubbled onto the surface, but became like open boils on my heart.  To go back further, to the summer of 2011,  I became captivated by Belleville and picked up everything I could that was written by Gerry Boyce, local historian (who happens to now live in my father’s building), and began stalking Susanna Moodie; visiting her house on Bridge Street west, visiting her resting place, even locating original marble at Campbell’s monuments and of course, read her writing and what others wrote about her and her sister, Catherine Parr Trail.  Summers with my father have proved to be interesting literary events, every time.

This summer, I brought along The Goldfinch by Donna Tarttt, a novel that every one was talking about, but one that I had not taken the time to read.  In retrospect, I regret that I did not previously read The Secret History.  In most reviews I find that there are comparisons being drawn between the two books and typically, The Secret History surpasses the other for its construction, originality and popularity.  It’s now on my ‘to do’ list.

So…my thoughts on a book that is likened, in part, to Rowling’s Harry Potter, Dickens and Breaking Bad?  I guess I can only review this one through my own eyes and that’s why literary reviews can be very interesting…they are so personal.  Dr. Joan Macleod’s words come to mind. “You notice what you know.”  Anything you do, see or understand is coming from a prior knowledge and experience, without any intention to do so.  While I may perceive some Goodreads reviews to be desperately arrogant where this novel is concerned, I can’t fault those authors because they may have been looking for something very different where a ‘good book’ is concerned.

I have no choice but to break this one down…

First and foremost, for me, is that ‘THE GOLDFINCH’ (the 1654 painting done by  Carel Pietersz. Fabritius ) was the element (yes, it became a character for me) that I would not lose sight of throughout the novel.  I fell in love with the painting at the first moment that Theo saw it through his mother’s eyes.  Once described by the author, I was captivated.  I would be concerned from that point forward until the end, about what was to happen to the painting, but also, what the painting had to say to me, the reader.

Now, not every one would be captivated by the painting and its symbolism.  I would propose that readers who have adored a piece of art in a dusty art textbook or on an art card or reproduction for years and then see it for the first time ‘in the flesh’, know what I’m talking about, here.  Edgar Degas’s sculpture, The Little Dancer, is that for me.  I saw the sculpture in so many forms, but until I saw it in three dimensions in the center of a room at the National Art Gallery, the first exhibit to be showcased in the new building the summer of 1988, I did not realize just how much a person can be left breathless by art.

I remembered weeping when I saw her. (but enough of that)

The point being that, while others are annoyed by the last fifteen pages of the novel, I was engrossed in them.  An examination of the subject of the painting and its treatment was crucial to me.  While many readers found the high keyed description annoying, excessive and boring, I lavished in it, likely because I’m that sort of writer. (this makes me laugh)  To be honest, though, there were sections in Las Vegas where I tuned out…also, places where I found myself skimming.  Did that happen for you?

Some critics describe the portion of the book set in Las Vegas to be the strongest portion, but this was the section I had the most difficulty with.  Not to draw comparisons, but it was the drug culture and experience in Shantaram that I found the least interesting.  I find that ‘druggies’ quickly become treated as stereotypical mono-faceted characters.  There isn’t anything that surprises me in the writing of their habits, their related bad choices or the consequences of those.  I really didn’t care ‘how many’ pills Boris or Theo were taking…or how much vodka they were drinking.  So, can you tell?  This section rubbed me the wrong way.  (Note that I’m trying not to ruin the story for others here, by being rather vague.)  I guess we needed Vegas because we needed to know Theo’s father.  Boris just rubbed me the wrong way…throughout.  I wasn’t all that taken by his character, the way he was written or the seamless way that he managed to undo his past mistake.  Oh my!  That was all too easy and a disappointment.  (no spoiler alert required…see!)  READ THE BOOK.

What I loved…apart from the Goldfinch…the painting…the symbolism there…Welty’s love for the painting, Theo’s mother…

I relished everything and anything to do with the old house, the writing of Hobie and his life in the downstairs wood shop.  Pour on the detail!  Would this engage every reader? No.  But, moi???  YES!  Antiques, wood, bric-a-brac, trades, recuperation, recreation and the interesting characters who came and went in Hobie’s life.  This was the ‘stuff’ of life and I think that Theo had stability in this setting.  It was a relief whenever and however he landed there.  Pippa was a beautiful maiden…a disappointment that the relationship didn’t feel resolved, but interesting none-the-less.

Andy and the Barbour family…another layer of story, a setting, somehow separate from the number of others.  The Barbour family becomes a microcosm, each character struggling in a unique way.  One can get wrapped up in their world, as well.  Written as a separate, but somehow connected, passage to the larger narrative, the ‘endings’ for each of these characters become concerning and the reader is left asking, “How does any of this impact Theo, after all?”

My readers, here, may have already wondered about the multiple settings and the long litany of characters…well, I suppose that this is where Tartt receives most of her criticism.  In the end, however, I view the book, in culmination, as a fanciful narrative about everything that is ‘us’…the traumas, the celebration, the consequences and the histories within one life.

I am staying in an apartment building that overlooks a very Victorian landscape, well manicured lawns and beautifully constructed, if not ornamental, homes.  I’ve met so many individuals who live here and each one comes with their own complex story.  This book is like that, oodles of tales within a single character’s life time.  They enter and they depart and at the end of it, we are left with the tale of a single image, an object of affection and the fact that it was something that remained, however ephemeral.

A Goldfinch bound by a small tether…for a lifetime…to its own life.

I recommend the book and will be looking for The Secret History.

I liked this review/analysis.  You might also.

 

goldfinch-donna-tarttMy Shantaram Review