The Virgin Cure by Ami McKay

The Virgin Cure was Ami McKay’s second novel, after The Birth House.  I’m still looking forward to reading The Witches of New York.

I would include the book, The Virgin Cure, in a list of beach reads.  Let’s face it, Ami McKay is a fabulous writer and she certainly does a fantastic job of consistently representing female characters and their challenges in her writing.  So, why read this on the beach?  This book reads seamlessly, apart from the use of margins and abrupt breaks in pages, every now and again, to insert Dr. Sadie’s notations, quotes and memories.  This book didn’t challenge me and it did not cause me to connect so deeply with the protagonist, Moth, that I would cry at any point.  The Virgin Cure was a good book, but not a strong book, in my opinion.

I’m not giving anything away in regards to the story.  The inside book jacket did a disservice to Ami McKay when it says way too much!

So, what were the book’s endearing qualities?

There were certainly elements in the writing that kept me connected with the novel.  I loved the protagonist, Moth.  Her story is endearing, particularly in the opening chapters.  At some point it feels like the story abandons Moth/Ava and I felt a real disconnect between the events she was living and her emotional self.  The most tragic moment in the book happens with a lesser developed character, Alice, and for that moment, I took pause to feel revulsion.  Would the story have been better had these circumstances happened  to Moth?

The setting was certainly interesting…late 1800s in New York City.  Having read so many books recently, set during World War II, this book provided a different, rich and many-layered world, describing, in depth, the scenes and life on the streets of New York.  We are very familiar with the streets of east London from this same period, in many literary works, but to be transported to New York City was refreshing and well-done.

I love Ami McKay’s attention to objects and detail in her writing.  For example, I was really curious about the tear catcher.  Such a tiny element as this seemed to create an important thread through the handling of grief, power and relationship. McKay’s descriptions of period costumes and of the vaudevillian characters was superb.

So, what was not to like?

Doctor Sadie is telling this story and her relationships with the girls is handled, but not to the depth that I would like.  I wanted to dig deeper into her character.  Instead, I felt that her life was reported, not lived.

The narrative, while a very intriguing tale, does not go far enough.  I was appalled, but not emotional.  I didn’t feel the injustice in my bones and I think that is what is necessary for this to be a truly successful book.  It feels to be spreading out onto the surface of things.

This book can be read easily in three sittings.  It has very beautiful moments.  I love Ami McKay’s writing.  While this is a weaker novel, I am looking forward to working my way through her list.

 

 

 

 

The Clam Chowder Feast

Sidebar: To read up on how to make Rapure, see the post titled Comfort Food From the East.

Wendy Lees said it best…

“It took ages to coordinate our schedules but we finally all made it to the very inviting and interesting home of Kath for a delicious clam chowder feast, visit with Max, studio tour, and big catch up!

Along with the chowder, Kath treated us to Rappie, a traditional Acadian dish she recalled from her childhood. It’s made with shredded potatoes and fatty pork – yum! Tammy and Jas brought homemade pickles, spring flowers and a canned treat. Karen brought Red River bread she’d made, and we enjoyed Christmas baking brought all the way from Nova Scotia by Stephen made by his mom, Betty. Oh, and I didn’t get the memo about drinking at noon being OK but Lauraine brought vino from the Rockyridge growing region in Calgary’s NW.  Steven made the very same selection!

What a tasty and heartfelt meal. My only quibble with our gathering was there just wasn’t enough time to visit thoroughly with every one of these wonderful people ❤️”

I’m posting Karen’s bread recipe here.  It’s amazing! Red River Bread Photo Credit: Wendy Lees.

Red River Bread
Recipe
2 cups water
3/4 cup red river cereal
1 tablespoon butter
1/3 cup molasses
2 teaspoon salt
1 Teaspoon Sugar
1/2 cup lukewarm water
1 package dry yeast (fast rising works great)
4 1/2 cups flour

Combine 2 cups water in pan with cereal. Boil then simmer 5 mins or until slightly thickened. Remove from heat and add butter, molasses and salt. Cool completely.

Dissolve sugar in lukewarm water. Sprinkle yeast and proof for 10 minutes.

Combine yeast with cooled cereal mixture.

Using a wooden spoon mix in all of the flour to make a stiff dough.

Turn dough onto floured surface and knead until smooth and elastic. Form a ball and place in a lightly greased bowl, covering the whole ball with grease. Cover with wrap and let rise (can use oven to proof) for 1 to 1 1/2 hours or until ball doubles in size.

Punch down dough. Turn onto floured surface and knead until smooth. Divide dough in half and shape into loaf pans. 8×4
Cover and let rise for about and hour. Then bake at 375 F. 30-35 mins.
Loaves will be golden brown and sound hollow when tapped on the bottom of the pan.
Remove from pan and let cool. Enjoy!

Tammy and Wendy, Stephen and Steven and Lauraine, brought yummy things.  I wasn’t archiving at the time,  but, my buddies were.  The following two photographs, though, were mine taken this morning. The next time you pickle, Tammy, I want to be there.  They got eaten tooo fast for a photograph!

Photo display I made, in order to acknowledge my family.

Thank you, Jas and Tammy for the springtime flowers!  So beautiful when it’s -40 outdoors.

Check out the jar of pickles in the photograph, below.  This one must be Tammy’s shot.  I’m sorry I didn’t get an image of the plate of baked goodies Stephen and Steven shared.  Oh man!  So good!

The photo journal above is a collection of photographs taken by Wendy and Tammy.  We always have so many laughs when we gather.  I’m grateful for all of you!  Being with friends and sharing conversation/food/beverages and/or live music/dancing is so life-giving.

Please take note of Max (I snapped that one), only an hour after the lunch…completely played out!

Comfort Food From the East

While speaking with my sister, this morning, she reminded me that today, January 15, is the anniversary of the day our brother, John, went into hospital.  It was from this date, onward, that our family was sucked into the vortex of the medical system and diagnostic testing.  As it would turn out, our brother would celebrate his last birthday in Peter Lougheed Hospital.

I begin this particular post, writing about my brother, because I’m thinking about comfort food and what happens when people gather with foods that are familiar and rooted in memory.  These foods will often vary depending on cultural context…sometimes an affordability context…regardless, if my readers look back into their journeys, they will find foods that mark various moments along their journeys.  Stories and narratives will endlessly surface of childhood and Mom or Grandma or Great Gramma’s cooking.

For example, if I type the words, FRIED BOLOGNA (Baloney) SANDWICH…what memories are evoked?

We brought foods to hospital and those we love, also fed us.  My brother enjoyed jello and Cozy Shack rice pudding during those end days.  He also enjoyed fresh ju-jubes for the duration of his hospital stay.  My sister-in-law sent loaves.  John shared birthday cake. Spaghetti was brought from home.  Things we create in the kitchen, we have control over (usually).  Sharing food creates a feeling of joy, constancy and being rooted.  I am grateful for how food brought some pleasure to my brother in his last months.  Now, the remainder of this blog post will explore one particular recipe that comes from my memory banks and my Acadian family’s tradition.

Our little Airforce family found itself in Quebec and New Brunswick for two of its postings.  These postings gave some proximity to my Great Grandparents, Mamie (Sugar Arsenault) and Papie (Gabriel Gallant) and my great uncles and aunties.

My Grandmother, in back and my mother, directly in front of her.  Jimmy Fardy, my Mom’s cousin is directly to her right.

My Mamie, with my mother in her arms.

Mamie and Papie.

I knew when I went to Prince Edward Island that I was among some of the dearest people who were in my mother’s life.  I knew, also, that when we traveled there, my mother was home.

Memories of that little Summerside house on Front Street are connected with wood stoves, home made rolled cigarettes, potatoes grated and cooked up into pancakes, horse drawn milk delivery wagons, coal chutes, seaside smells carried on the wind, bingo chips, coffee, bottles on the kitchen table, loud laughter and kitchen gatherings.

It was in 2015, when I attended a library program with my friend, Pat, that I first considered researching this childhood dish. The topic of the presentation was on foods as they relate to a cultural road trip across Canada.  The presenter was going to be Julie Van Rosendaal, but as it turned out, she required a replacement.  The session did not disappoint.

Shortly after the session, I sent my Mom’s youngest sister an e mail. “I was telling Dad about a cookbook that was mentioned at a Library program I attended last night.  It’s called Feast: An Edible Roadtrip.  I asked the speaker if the recipe for “Rapeur” (don’t know the spelling) was in it.  One Acadian lady sitting next to me said it was called Rappi Pie  hmmm…Dad told me that you make Mamie’s recipe and I was hoping you might send it to me.  I know it’s a big job to make and that it needs a special touch to turn out right, but I would like to share it with my daughters.  If you would be so kind…I’d really appreciate it.  Kath”

I sent that note in 2015 and received an expedient reply that included these steps.  I quickly learned that the spelling of the recipe was Rapure and that its translation is coming from the word grate in french.

[cheese, carrots] râper

to grate some cheese râper du fromage

This recipe was followed by one through the post…thank you, Auntie Pat.

Some time during the Christmas break, I decided to invite a small circle of friends to the house to share some Clam Chowder, also made in my mother’s east coast tradition.  Clam Chowder also varies depending on where you grew up in eastern Canada.

With the invitation to my friends, came an opportunity to try making my very first Rapure, without any of my matriarchs present for help.  My friend, Hollee, was visiting from Vancouver in order to attend her Auntie’s 100th birthday, so she became my cheerleader as I endeavored to bring my east coast traditions in comfort food, to life.  I remember, well, this dish being prepared by my Great Grandmother, my Grandmother and my Mom.  It is important to me that I share this, along the journey, with my children.  One thing I decided, after looking over the recipes and speaking with Hollee, I was going to borrow my daughter’s food processor!!

The Rapure brought back particular aromas in the little PEI kitchen of my memory, pork and onion fried up on the wood stove, along with a scoop of lard.  This dish, along with my mother’s Meat Pies, was very much a symbol of home for me.

Nervous, the night before, I spent a lot of time seeking out Youtube videos, learning for the most part, that the Acadians from Nova Scotia and New Brunswick, were using chicken stock and chicken in recipes that they called Rappie Pie.

 

On the Arsenault Facebook group, I put out an all-call for recipes and these are some from the Rappie Pie tradition.

These were the posters’ connections with their recipes.

Judy Arsenault I recently made a Rapure from the cookbook Abram-Village Handcraft Co-Op Recipes (which I purchased from the Bottle House (PEI) that my cousin use to own) and it didn’t turn out. Has anyone used this recipe from this cookbook? How did it turn out for you

Thelma Arsenault Hack I have varying results with rapure, regardless of the recipe. Choice of potatoes makes a difference – I don’t think ‘baking potatoes’ work as well. And whether the grated potatoes are rinsed and dried well makes a difference. It’s a lot of work and very frustrating when the results are not good. I’ll be interested in what others comment. Good luck to you.

Jim N Wendy Spain This recipe was made by my great grandmother Catherine (Lefave) Doucette, from Nova Scotia. I recently typed it as shown, for a family reunion. 🙂

With great courage, Hollee and I peeled 10 lbs of potatoes and I chopped up the pork roast into 1 cm cubes, setting aside the pork fat to coat the roaster surface, keeping all chilled and prepared for the morning’s culinary adventure and the visit with my friends.  I decided to stick closely to my Auntie’s recipe.

At 7:00 am…I began my processing of the potatoes and put my pork to browning.

I’m going to log my notes here, for future reference.  I had my daughter’s food processor set for grating and tried both the medium grate and the fine grate.  In future, I would  use the fine grate setting.  Whoosh…out spewed the gratings of ten pounds of potatoes.  The kitchen smelled yummy and CBC radio was turned up, as the pork, onion, salt and pepper were bubbling in the 350 oven.  (use the roasting pan for this)

Once the potatoes were done, I quickly covered them with wrap so that oxidization wouldn’t happen. (green bowl) I cut up my cheese cloth and began the process of removing starch from the potatoes. (I will use my red bowl for this next time.)  I transferred my shrunken potatoes into my large soup pot.  Once finished the cheese cloth step, I added the yummy pork and onion to the big soup pot and mixed and mixed and mixed some more.

This is the step where I decided that in future I would use the fine grate.  I remembered my Great Grandmother’s Rapure being smoother in texture, but being coated with crunch.  This is what my kitchen looked like, right before beginning my Clam Chowder.

From the mixing stage, I pressed the mixture into my roasting pan…nicely greased with some cubes of pork fat (not all), and pulled from the oven.  (don’t burn your hands, here)  I roasted the Rapure at 275 for an hour and turned it up for three hours at 350.  Next time, two hours at 350 for me!

Thank goodness, Wendy brought a salad as it made the appearance of the square of Rapure look more appetizing, on the plate.  I began apologizing before we even sat down because I knew already that the topping was TOO crunchy.

My guests are such dear friends that I could tell them I expected them all to try a piece, as I was very much in the mood to share my PEI nostalgia.  They all carried on, without complaint.  I love them so much! Photo Credit below: Wendy Lees.

Later, I discovered that the crust softens with just a short wait after removing from the oven, so I would serve it a little differently next time, and definitely crust up instead of flipping it over (lol).  I have been happily nibbling on the leftover Rapure ever since and I am generally really happy with the flavours and it very much reminds me of Mom, my Grandmother and my Great Grandmother.

See the next post…the feast…for the treasured gathering.

When I remember my brother, I also remember the family meals that brought us together.  I remember celebrations and loud responses to the yummy-ness of food!  Much of the recollections of family come with the memory of food.  I am so grateful for this.

Thanks to Lauraine, who remembered that her mother made ‘Snowballs’, those red cherries wrapped up in coconut buttery sweetness and rolled in graham cracker crumbs.  Isn’t comfort food amazing?

 

The Year of the Mugwump

It was 1973 and I was fresh out of High School. Somewhere in my archives, this morning, once receiving a message from a Lethbridge friend, I found, without too much looking, a copy of the University paper, the Meliorist. I laughed out loud as I read the profiles for our Mugwump Party. And guess what? We got in! I served my first year as part of the student council. This is where I met dear friend, artist and intellectual, Phil. I wanted to publish bits of this quickly and move on to the list of things to do for today.

How would I describe my importance to Mugwump, as I look back?

First Year Votes
Female Votes
No Fear of Speaking
Opinionated
Also, Easily Influenced

As I look at the profiles of these folk, I still feel very proud of these gentlemen. They DID influence me and my thinking about a lot of matters. It was through 73-77 that I formulated values and ideas that I still hold. The U of L was a perfect fit for me. I know that Phil continues to be a very strong artist (I own one of his wonderful pieces) and an involved activist. I wonder what the others have been up to.

Before I leave this…a few more gems.

While Coming Across Flower Paintings…

…I thought of Pauline.

She comes to mind often. Her humus recipe surfaced the other day.

I wonder if she reached out to our friend, Bobby, upon his arrival. A few more photos were tucked into albums today.

Ed, Bobby and I headed out to see Pauline, our inspiring University professor, who lived perched above Kootenay Lake in Argenta. This was in 1996-97 and I was on Sabbatical. We got lots of sketching/painting done. We slept under the driftwood shelter on the beach. It was the weekend that my friend, Lynn Kierzek, died. While I slept, I wore a painting vest that Lynn crocheted. I still have that vest.

The border collie found in the photo is not Max Man or Laurie Dog…that’s Pauline’s dog. I felt right at home. I love the memory of this time away from the city, of conversations shared along the drive. We picked up a rose bush for Pauline in Cranbrook and planted it while in Argenta. We also purchased a bottle of spice that she needed, in a small grocery shop in Coleman.

May Bobby and Pauline rest in peace and may perpetual light shine upon them.

Archive Your Work!

As I sort and toss, a practice that seems to be going on forever, I am getting to the end (I THINK) and I might have some valuable advice to give to young artists.  I may not have a hope in Hades of ever really getting my art on a roll, but for you young sprouts, now that you live in a digitized world, please try to keep a record of your progress.  Second to that, take quality photographs.

An artist who really inspires me with his practice is Mark Dicey, on Instagram. @paddlecoffin If you don’t follow his work, he is absolutely breathtakingly amazing.

Part of this revisit, just last week, included digitizing my grade nine-eleven sketchbook from 52 years ago!  Cough! Sputter! It’s never too late, right?

Today, I came upon a white envelope filled with some very poor quality glossy photos of some flower paintings I did for a Tribute Show for my parents.  The subjects were all based on their country gardens in Frankford, Ontario.  It was an exhibit dating back a lot of years, hosted by the West End Galleries in their Edmonton location. (I have that date in my art archives somewhere.)  I remember, at the time, hearing other artists poo poo painting flowers, as a subject.  One person gave me permission and that was Ed Bader.  Thank you, Ed.  At the time, I was painting my own series of poppies as a response to losing two former students to a tragic car accident.  Ed pulled together a series of books featuring a number of very significant paintings created by important historical artists, dealing with the subject of flowers.  He was covering for another teacher at ACAD back in 1997.

This morning, I took photographs with my phone of some of the these teeny photographs.  Now, I can toss them as I’ve got a bit of a record.  As more flower paintings/sketches surface, I will post them here.  If you paint flowers, I give you permission.  There are a myriad of subjects for art and through any subject, you can address the ideas that are floating around in your head.  It’s all valid, representational or not.  Make art…and keep a record of it.

These images are all fuzzy/unfocused, cropped badly to replace their original wonky formats…likely bad colour…but, they are illusions of the originals and they make me happy.  I learned a lot painting these…and they are a mere sampling of the many works present in that show.  I wonder where they are now.

The Etching Leads Me Down the Rabbit Hole and I Arrive at Pam Marlen

We lived on Ferguson, just off of Fox Farm Road, in Great Falls.  The Marlens were our neighbours.  Charlie, a medical professional, was a big hunter.  I remember, at my age, thinking that was a pretty amazing thing, but really different.  My Dad and brothers were big fishermen, but they had never journeyed into that world.  As for Pam, she was a life-giving free spirit.  She exuded creative and fun-loving energy.  Our families shared many wonderful times.  A little younger than me, the Marlen kids; Jimmy, Chuck and Ann, were all sweet.

When I headed to Lethbridge for University and my family was moving east, my mother had my etching framed up professionally and I gave it to the Marlens as a gift.  I believe Mr. Winenger allowed me to take the copper plate home, and yet all these years later, I haven’t a print or the plate, but have only a strong recollection of both the process and the piece.

Searching for a photograph of the etching, led me to go deeper into the rabbit hole and there I found young Chuck’s tribute to his mother, eloquently written in 2017.  I tried leaving comments on his blog, but every time I clicked “POST COMMENT”, my words were eaten up and disappeared into who-knows-where.

I think that it is the fact that I haven’t been able to connect that has led me to this series of posts because today has been a day of nostalgia since coming upon the blog post about Pam.  Once, through University, I traveled by bus to Great Falls and visited Pam and Charlie.  I have also tucked away the gift of a Fanny Farmer cookbook they gave me as a wedding gift.  It is one of my treasures.

Young Charlie’s blog…

Art Studio Poster Explaining Pam Marlen’s Glass Bead Making Process

Today would be my mother’s 79th birthday, she passed away in 1997.

Pam Marlen ( Mary Pamela Smith) 1938-1997 Artist

I have very little of my Mother’s artwork, and if not for the kindness of my little brother sending me several items I would not have any.

As-well-as designing Passive Solar Houses, Gardens, and Landscaping – She also created amazing fused glass creations, pottery, glass beads, quilting, water colors, stained glass, and probably many other items I’m not remembering as I write this post.

She would even make the  unusual fun vests she would wear to events …

Back label on Pam Marlen’s ‘Buttons to Beads’ Self-Portrait

Much of my mother’s artwork was sold and anything left after her death was distributed amongst the family; therefore, the stunning Fused Glass pieces are owned by others, but I am very happy to have what might be one of my mother’s only artistic self-portraits.

Buttons to Beads Quilt with Glass Beads by Pam Marlen

Pam Marlen didn’t do anything normal, and if she was going to do a self-portrait of course it would be something unusual like combining Quilting & Glass Bead making to make the portrait of her making Glass Beads …

Paper that was pinned to Quilt – Houston National Quilt and Beads Showing

She also included herself playing with buttons as a child in the portrait …

Pam Marlen as Child Playing with Buttons

All of the Glass Beads attached to the quilt were made by Pam Marlen and they were sewn to the quilt using buttons on the back …

Back of Buttons to Beads Self-Portrait Quilt by Pam Marlen

My mother liked to save items that she didn’t feel were worth selling because there was an imperfection on those items… she didn’t save much but some items had imperfections she liked and would save them inside her studio, just for her own collection.

I’m not sure how many people knew about her ‘imperfection collection‘, but she and I talked about them once and it was fascinating how she liked something special about each one.

Fused Glass Examples in Background

A few years ago I found 2 new glass fusing/ceramic kilns for sale at a very good price and I purchased them … While my mother had taught me a little about fusing glass, I took a private ‘one-day’ class to refresh my memory.

Link to Post: Firebox-8 Kiln Height Extension

This Firebox-8 Kiln’s Temperature is Manually Controlled

Creating Fused Glass artwork is about predicting how it will look when finished semi-melting/fusing together … Thus, having no idea how to predict, I just overlapped interesting colors of broken glass into a pattern.

Cut & Broken Glass in Kiln before 1st Melting

After the first melting the instructor was very let down that the glass had cracked, but being my mother’s son I said, “Oh that makes it even more interesting, lets leave it and do the final melting to fuse it as is” …

Broken Slumped Glass that Broke and Re-Fused in Kiln

The final kiln firing softened the broken edges and created an interesting Fused Glass piece …  I placed it on my dresser and consider it the first of many of my own  ‘imperfection collection’ artwork pieces.

I imagine there will be many future Metal Castings to add to this collection 🙂

First Try and Glass Artwork on My Dresser

In addition to saving imperfect pieces, my mother also would create small pottery pieces that she could use to test out Pottery Glaze formulas …

Mini Glaze-Test Pottery Parts by Pam Marlen

It appears the items my little brother sent to me were part of a Green Glaze test and even these little items had her signature on the bottom.

While I only have test pottery pieces by my mother, I am proud to have those items because that is how I remember her – Always experimenting!!

Bottom of the Green Glaze
Formula Test Pottery by Pam Marlen

She signed all of her Pottery with a PM symbol  (Click images for larger view)

Pottery Signature on Test Glaze items by Pam Marlen

She had shelves of these small glaze-test pottery items in her studio …

A larger piece of pottery that was probably a Green Glaze-Test item

Mary Pamela Smith (Pam Marlen) was born in Tulsa, Oklahoma to E.R. and Mildred Smith on July 31, 1938.
She created most of her artwork in or near Great Falls, Montana.

This looks like a Bowl she used to test some Green Pottery Glaze

The pottery I remember the most as a child was a natural wash look as shown in the image below with hand-touched clay items added to pottery she had thrown on her potter’s wheel.

Natural Glaze with Clay Hard Artwork on Pottery

For years she would make pottery Christmas Ornaments and give them out to friends and family… Many times having us as kids help her.

Received photos of an items my mother made that I had not viewed before …

Hat made for Pat Erickson by Pam Marlen

Pat Erickson sent these photos to me of a hat my mother made for her …

If you enlarge the photo and look closely the bugs on the hat are glass beads.

Hat with Glass Bead Bugs made by Pam Marlen for Pat Erickson

Pat mentioned Pam Marlen made this hat for her birthday 🙂

Hat created by Pam Marlen with Painted leaves & Glass Bead Bugs

Thank You Pat for taking the time to send these photos!! 🙂

.   .   .

Pam Marlen had a stroke at age 58 in April of 1997 while giving a speech to get donations for the flood victims of the Grand Forks, North Dakota flood of 1997… passing away later in the year.

She lived an interesting life … and myself being a Star Trek fan it was almost surreal to come home to visit and learn her quilting group was asked to be extras in a movie directed by Leonard Nimoy… being very private director he would rarely talk to people on set; however, he would come over talk to my mother about quilting and other artistic items.

My mother met SPOCK …Too Cool!!

… MISS YOU MOM  

. . .

Old Photos of Charles J. Marlen Jr. … So when I lose them they can be found
online in a Google Search 🙂 CMR High School called Chuck Marlen

I think this photo was taken in about 1966

This photo looks to be about 1985 … Sometime during College

Sometime in the Late 1980s

 

Chillin’ in Hot Key West, Florida

Drysuit Scuba ‘Cold-Water’ Diving in Alaska

There *grin* … at least when I pass away, something will be online. *lol*

  CHEERS!! 

.  .  .

 

Down the Rabbit Hole She Continues: In Search of an Etching

Looking at these 50 year old sketches got me thinking…

I wonder how Mr. Carlin is doing?

Well…about him…

Mr. Carlin, or, David (as he has told me to address him) is continuing to create.  He is humourous and original and inspiring.  I was blessed to have reconnected with him some years ago.  While he wasn’t the first teacher to inspire me as those would have included Mrs. Penner, Mrs. Souter and Mr. Mackay, he taught me and directed me to think and expand into the world of meaning.  He rooted his students in ideas.  The sketch featured in the banner above was the start to an idea that led to my very first oil painting 4′ x 4′ of Adam, in grade nine.  He was my art teacher in North Bay, Ontario and then my father’s work took us to Great Falls, Montana.  Thank you, David, for everything you’ve done for me.

I wonder how Mr. Winenger is doing?

Well, I learned that my beloved art teacher, always supportive and genuinely creative, died in 2018.  As I poured over this tribute, I cried for Mr. Winenger’s greatness and for the absolute blessing that he treasured and encouraged my art… his belief in me, in part, would direct the rest of my life.

This is how Mr. Winenger’s mind worked.

Dwight Winenger

June 6, 1936 – March 16, 2018

ARGOS – Argos native, residing in Desert Hot Springs, Calif. Dwight Winenger, 81, passed away March 16 in hospice care in California.

He was born June 6, 1936 in Argos to Alfred J. and Mary Hope Winenger. He was a graduate of Argos High School in 1954. He then attended Indiana State Teachers College in Terre Haute for six years with honors. His major was Art and minor was Music.

He played four different instruments including the piano. He wrote and directed an Orchestration of the college class graduation exercises.

During Dwight’s summers between college days, he ran the projector for the Law family at the Argos Cozy Theatre. He also did art work for many people in the community.

In the late 50’s he met and married Eva Lund Hansen from Denmark. She also attended Terre Haute State Teacher’s College. They had two girls, Robin Kim and Kirsten Marie and they eventually moved from the Argos area. They lived in Colorado, Montana and then settled in Desert Hot Springs, Calif. While living in California, he owned a business called the Miniscule University, where he taught art to retired senior citizens.

Dwight had many awards in National Design and Broadcast Music Awards. He had an honor, the Governor’s Commission for the Fine Arts in Indiana 1962-1965. He was Knighted by Robert Holmberg (Knight of Nannebrag-Denmark), 1982; International Man of the Year, International Biographical Centre, 1992; World Intellectual, 1993. He also was in the International Who’s Who in Music. He was in the Biographical listings of Men of Achievement; Community Leaders of America; 5000 Personalities of the World; International Book of Honor; International Leaders of Achievement. He was in the Directory of Distinguished Americans; International Who’s Who of Intellectuals and one of 2000 Outstanding Musicians of the 20th Century, 2000. He had many achievements in his busy life, his family is very proud of him.

Dwight is survived by his wife, Eva; daughter Robin and her daughter Britni; their other grandchildren, Katie, Joseph, and young Eva; Kirsten passed away a few yeas ago with cancer. Dwight is also survived by two sisters remaining in Argos area: Mary (Winenger) Becker and Bonnie (Winenger) Rice.

Dwight’s parents and brother, Jim, are deceased.

Funeral services will be held in California.

Published in The Pilot News on Mar. 20, 2018

Mr. Winenger created this poster calendar on silkscreen in 1973, when I was his student.  He was big into printmaking and taught woodblock, silkscreen and various forms of Intaglio. While in his classes, I created many silkscreens, a single wood block as well as a single intaglio etching.  I don’t have the plate OR a print from the etching, but remember the image.  I still have this calendar in my portfolio.

 

As I headed down the rabbit hole, I shed a few tears…and then my feet got cold, so I got up to find some slippers.

Down the Rabbit Hole She Goes! This is How it Began

This morning, I sat with coffee.  Soon after, I told Max that I’d get dressed for a walk.  And, this is what happened.  (The LOOK ON HIS FACE!)

While I was downstairs, digging out the next pair of track pants, I tucked away a Christmas box in the closet and came upon my sketchbook…1968-1972.  Oh my goodness!  I propped myself up on my bed and took a look and all sorts of memories came up.  For one, at some point, my sister signed every one of my drawings.  She was just a wee little girl and she must have held me in some sort of esteem…or, the drawings.  As I think about my former Junior High art students, I think these sketches are very rudimentary.  There’s nothing at all impressive about them.  What’s with the solid contour lines?  They look like colouring book drawings.  Hmmm….f

I wrote little poems along the way…sentimental poems…what were they about?  I guess I’ve always been a dreamer.  Sketches and thoughts from 52 years ago…

So my trip down the rabbit hole began.  And Max, patiently waited.

 

Greenwood by Michael Christie

I met Micheal Christie at Wordfest, here in Calgary, this year.  Little did I know that a single reading and a very short little narrative shared about a coin of wood from a tree on his own lot, would lead me to my favourite book of 2019!

Greenwood is exceptional from beginning to end.  If there is any weakness at all, it is in the character Jake and the segments written in the context of 2038.  I wanted to get that out of the way, immediately.  But, as the depth of the other characters emerges, the reader feels as though they have come to know a family and its related friends and enemies deeply.  I was moved by this book so much.

There were some really personal reasons why I connected with this novel, but I highly recommend it because I believe that every reader is going to respond just as positively, and perhaps for other reasons.

First, I treasure the book, Greenwood, because it is well-written.  Michael Christie is a relatively young author, having previously been a skate boarder.  His other accomplishments include The Beggar’s Garden and If I Fall;If I Die.

His debut novel (and of course I will be finding it and reading it) was The Beggar’s Garden.  Apparently this is a book of nine linked stories and similar to Greenwood, it interests itself in characters that are easily ignored and who are experiencing authentic suffering, oft-times brought on by choices they have made.  In other words, his characterization is entirely honest and believable.

I am disappointed that Greenwood was merely longlisted for the Giller Prize.  Reviews on Goodreads are overwhelmingly positive.  I always go there after reading a book, not before.

Recently, I have read some disappointing books.  Picking up The Lost Girls of Paris by Pam Jenoff, (The Orphan’s Tale) I was left questioning the flat characters, the undeveloped romances and the lack of attention to the actual code senders, highlighted even in the title. The Girls by Emma Cline and The Huntress by Kate Quinn left me equally disappointed, for similar reasons.  The characters had no guts and their narratives felt simplistic.  In The Huntress, I felt that the focus of the novel needed to remain with the female pilots, but taking World War II settings and trying to build romances is always a wee bit challenging.  While my own readers will find a number of positive reviews about each of these three novels, they did not appeal to me and my own sensibilities. I am using them as a contrast to Greenwood because everything that was lacking in them was delivered by Michael Christie.

In Quill and Quire, a review on his book, If I Fall, If I Die, published in 2015, holds true for Greenwood, as well.

…This atmospheric work of gritty realism explores themes of class mobility, self-determination, and the impact of mental illness…

The writing in Greenwood is descriptive, eloquent and the syntax, remarkable.  While the structure is complex, it flows and I found myself buried in what is commonly referred to as a page-turner.  Harris, Everett, Liam and Willow very-much entered into my life.  Their stories were fraught with struggle, lies, omissions and these vulnerabilities built the tension that captured my heart.

I am not going to summarize the book in this review…I don’t like to do that.  I will carry on sharing my personal reasons for treasuring this book.

Having once lost a treasured journal of my own,  and on another occasion, having had someone take my personal journal and read it, the story of Euphemia Baxter’s journal became a thread that was very important to me throughout the book.  The Secret and Private Thinkings and Doings of Euphemia Baxter  is an object of real importance to me in the reading.

The metaphorical/symbolic presence of trees is another element that won my heart.  Both poetic and inspiring this exploration is seldom accomplished by any other fiction writer.

My own interest in the genealogy of my family is also a passion and delight. Once finished this novel, I felt as though I’ve learned about the Greenwood family in its depths.  I celebrate the foibles and mistakes of the family members and found that part of the writing to be authentic and true.

And finally, my interest in trees, the lives of trees and the stewardship that they require is right up there in my concerns and my interests.

I’m looking forward to reading more of Michael Christie and highly recommend.  My new favourite!  Greenwood!

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