Artists and Musicians; Poets and Priests

I’m of the mind that we can move kindness through the world.  This week, I have encountered some beautiful and engaging moments on Instagram, Facebook, Skype and other social media.  Congratulations to those of you who are being supportive, loving, generous and healing.  While we don’t necessarily have all of the time in the world, there are positive people we can access in order to contribute to our own wellness.

My family drew a line in the sand once prescriptions were picked up. My son and I are following the requests of the World Health Organization and our own Provincial Dr. Deena Hinshaw by remaining at home and keeping social distance.  In the meantime, we are finding our ‘new normal’.  I have to say that this past week I listened to the media a lot.  I’m guessing you did too.  I know that the news coming out of Italy makes me very sad because my daughter and I had such a magical time traveling Italy and I find this heart breaking that their  community is suffering so much loss.

In the meantime, back at home, I’m getting into gathering research for a project that I’ve always wanted to do.  I’ve also connected with a lot of different uses for social media that serve me in healthy ways and offer support for others.  At this time, everyone is coming to financial blows.  Good for those of you who are enjoying financial stability because your houses are paid for and you have provisions to get you through this.  Bless those who are struggling….but then, you’ve all heard the news during this past week.

Here are a few of the amazing connections I’ve been blessed to have in the last week.

Auntie Check-in with all of my nieces and nephews…this will be a weekly thing.  I haven’t heard from Ainslie, but every one else checked in.  For this, I’m using Facebook group messenger.

E mail group letters are being exchanged in some of my circles, in order to touch base with how friends are doing and what they’re doing.

I’ve always touched base with my father via Skype, although our reception has not been very good as of late and so we are using Facetime for daily check ins.

My Grandson and I are Skyping, although sometimes we have used Facetime.  I love joining Steven at his breakfast or lunch table.

I’ve figured out Group Skype and a circle of my friends and I will be meeting every Friday evening at 7:30.

I’m enjoying various poets and their works on Instagram, book reviews and all connections with word.

There are many artist tours going on on Instagram as well, including those conducted by Trepanier Baer and the Glenbow.  Seek them out.  You won’t be disappointed.  I’m really excited about the one offered by vivianeartgallery in Kensington, Calgary.It’s called Staring at my Four Walls!  Check it out.  And in the meantime, think about your own art and perhaps get around to archiving it.

Live Streaming includes a daily meet up with artist, Mark Vazquez-Mackay.  He is working on an amazing piece…magical.  If you want to observe his approach to using mixed media and structural perspective, join up….usually a 12 o’clock start up.  Just put yourself on the list to be notified.

There are a number of musicians who are connecting with us through various media and live streaming.  You can fire off a wee contribution for these mini concerts.  I missed Joe Nolan’s the other night, but I DID attend Ruth Purves Smith and her Swalwell event.  She is reading dramatically from the classics in an intimate setting.  Of course, she ended up playing us a tune. ‘We just keep on dancin’. There ain’t no other way.’

Contribution to her Pandemic Kitty can be made to music@ruthpurvessmith.com

This was a wonderful gathering with Ruth at the center. She shared a real time experience.  You don’t have to dress up for these events…wear your pajamas!  Ruth showed us her latest kitty rescue, a photograph of her mama and a portrait of her Dad.  She showed us notations that her mother made along the margins of her Poe book.  She drew the Northern Flicker card and thought of our communal well being.  It was lovely and minimized a huge anxiety that had come over me last evening.

There are wonderful things happening all over the world.  You are not alone, dear readers.  I will make every effort to continue sharing some of what is available to you through the coming days.

Patrick is working on a couple of YouTube channels and these may be of interest to you for the coming days.

Teachers, I am, of course, thinking of all of you over these difficult times.  I know that you are all experimenting with various programs like Zoom and Google Group in order to open up remote learning for your students.  You are shaving down content to meet the new guidelines coming out by Alberta Learning.  You are caring for your own children at home while doing this.  I am thinking of you all.

Where possible Moms and Dads, hook your school aged kids up with Live Cams that are set up the world over.  Many of these include teacher units and other resources.  Getting your children to connect with nature is a wonderful thing.  Message me if you wish a copy of a PDF I created based on Live Eagle Cam viewing.

For those of you who have lost your faith communities through this isolating journey, many of you will be able to connect with Live services streamed in the media.

I am sending out love from my little techno world to yours.  Be safe.  Keep distance.  Blessings.

 

 

Uh Oh: Bird Tales From the Vent

Just recently, I’ve been publicly shamed on social media for asking for photo credit and explaining my distaste for the blast of photographs being published on line of members of the public, hoarding or standing in long lines in store environments. Just my opinion, but these photographs fall into the same category as Wal-Mart shopper photos, babies having temper tantrum photos and Fat Lady photos. I just don’t get what the purpose is? Oh…I received the explanation that publishing the photo of a profiteer who was bragging about the resale potential of a cart load of thermometers had shifted the behaviour of the big box stores and convinced them to limit sales. (all myth and absolutely no idea WHO the person was and what the product was and what the motivation was) Bull Winkle Twinkle Fairy Dust! Are you kidding? Social media photographs do not convince companies such as Home Depot to change their policies? And as a follow-up, it’s interesting that Reddit has deleted the photograph, while the legacy of hateful comments remain spouting off about Capitalism and such. Haters need to hate.

I digress. Because I spoke out about the negativity of such content being shared over and over again in formats such as Reddit and Facebook, I was labeled a lunatic who takes pictures of baby deer and eagles and was reminded that I am dumber than door nails. Too bad. I look at the fact that this person didn’t read or take in my concerns or my views on this subject. He only saw his own perspective and then BLACK OUT….the thread disappeared and the big BLOCK happened. Wow! UH OH!!! I’m telling my readers, we are living in very troubled times. Kindness is required.

And…back to the ‘baby deer and eagle photos’. It is my choice to try to retain a positive expression of social media. If I get so rattled, in real time, about something political or what I view to be a social injustice, I might post, but you will notice those discussions/threads disappear off of my social media within days. I think that what the world needs at the best and the worst of times is positivity, enlightenment and gratitude. If readers/posters want to be miserable all of the time, it’s their prerogative. There is room in the world for all of us. Just don’t block me, shut me down, silence me when I wish to share an opinion along the way.

Check out ethical practice when it comes to posting photos, specifically to shame others.

On the subject of this post…another big UH OH! Some of you have followed Tales from the Vent over the past seven years. At my kitchen sink and window, I find myself in close proximity to my neighbour’s vent. Over the years, this has typically provided a nesting site for House Sparrows, but the past few years, there have been nest wars between Northern Flickers and House Sparrows. Well, look here, what was spotted this morning at the vent. OH NO! Pigeon poop potential! It’s going to be interesting to see what happens this season. I’ll keep you up to date!

The Colours That You Mix

It’s a very other-worldly feeling to be journeying life through a pandemic.  In the grocery stores, yesterday, I felt to be plunked into the opening scenes of a Sci-Fi movie.  Sometimes a person just has to find a way to ground themselves when all else; health, economy, events and travel are floundering.  I almost feel that this is a guilty pleasure in these times…writing about children and painting.  But in doing this, I feel like a rope has been tied around my ankles…someone is tugging…and I am easing my way, like an overfilled balloon… coming to rest on the ground.  This is what I do.

At one time, I wrote about painting with Green in March.

This year, my friend, Claudia, inspired me by the painting she did with her students.  My practice, as a guest teacher, is to promote painting with children.  It can be so messy…there is the preparation and there is the clean-up…but Claudia doesn’t shy away from any of that.  She is a remarkably inspiring Div 1 teacher.  Thank you, Claudia!

After seeing the results of Claudia’s art lesson, I went out into a Div 1 classroom and painted the very next week.

And following that, Gillian also painted with little ones.  Gillian has had a long and accomplished career as an educator and she is also not one to shy away from paint.

I wanted to post all of these resulting paintings at the same time in order to illustrate the variety that can be achieved with paint….same concept…same lesson…but, each and every painting is unique and each of the three sets of paintings is using a different palette of green.  If you look about the hallways of elementary schools, if you see that there is a sameness about the works that children create, there is the possibility that their outcomes have been engineered to be close-ended; it also means that the means to get there may have been closed. (the trouble with most Pinterest activities) Try letting go, just a little, at first.  The resulting projects may not be as predictable, but this is what creativity and visual art should excite in children.

Children are magical.  May they be safe and may their teacher’s be safe through these trying times.  Happy March!  Happy GREEN!

Claudia’s Palette.  (I didn’t include images of students painting because their little faces were in the photos.)

Kath’s Palette.

Gillian’s Palette

Landscape of a Day: 2 Fridays Past

DRAFT OF A LANDSCAPE -BY JULIET PATTERSON

after Paul Celan

The hare’s
dust pelt

against the juniper’s sky
now

in the eye uncovered
a question clear

in the wing
of the day and the predator

that writes
the animal’s luck, too.

Where is tomorrow?
Will tomorrow be beautiful?

Someone will answer.
Someone will remember

that dustcolored
tragedy, incidental, belonging

to no one, arriving before
as a flock of cranes

protracted in a long descent
winging blind

to field—the days
are beautiful.

If I was to archive each and every day, down to bare bones, I would get absolutely nothing done and would not fully live that day.  The day would become full of the archiving and the magic would be missed.  I’ve had several full days since living and  breathing two Fridays past, but I haven’t forgotten its beauty.  I began with a poem because poetry whittles a full written expression to its essence.  The words capture the magic of the day.

It all began as most days do, at the edge of the Bow River.  It seemed that I would be encountering strong females and it so happened that the Bald Eagles were sitting together.  The female is on the left.  She’s so incredibly beautiful.

The female coyote has raised two stunningly handsome youngsters, now one year old.  It’s been a wonderful year of viewing their forays.

Then it was off, for my very first time, to Bell’s in Marda Loop.

What I didn’t capture in photographs is the lovely person who shared the table with me.  Thank you, Teresa, for the latte and the delicious slice of home made banana bread.

Teresa Posyniak has a life-giving spirit and is a strong woman who lifts up other women through her genuine interest in them.  Her art oozes with copious texture and is both strong and fragile.  I will treasure our rich conversation and hope to follow, more closely, her exploration of topics such as resiliance.  Teresa’s is an artistic voice to listen to and I encourage my readers to connect with her work through the links I’m providing here.

I was whizzing off to Joan’s next, but not before a quick stop at cSpace.

Of course, I’m still very much in awe of this beautiful installation at the front entrance way, Yesterday Today Tomorrow by Caitlind r.c. Brown, Wayne Garrett and Lane Shordee.  This single sad photograph does not capture the experience of this piece, so readers, you will have to add this to your list.

Cassie Suche’s Sway series was refreshing, tucked away at one end of the second floor.  Very organic and slightly humourous at the same time, I really enjoyed the work created on her one-month residency.

I was blessed to have enjoyed a full day workshop with Laura Vickerson at the Esker a couple of years back.  I am truly interested in her work and ended up pouring over this booklet about Constructed Histories for more time than I had intended.  Love her work.  Love the concepts behind her work.  These spoke to me of nostalgia and memory…something that interests me.


Marty Kaufman’s blown glass…Eroded Forms drew me in.  Such milky forms.  I absolutely love them.

Of course, I don’t think I’ve ever gone into the cSpace without looking at the stairwell murals done by Daniel J. Kirk and Katie Green.  They are lovely and different times of day evoke a mysterious sense of light and so therefore, a different experience, each time a person makes their way up and down the various floors.

A new experience for me was to hit upon the Blackboard Gallery.  I went with the intention of seeing these works, the urban landscapes done by Melanie Figueroa.  She is someone I follow on Instagram, but I had never seen her work in the flesh.  This gallery is a sweet little space.  I ended up totally wrapped up in a conversation about jewelry with Melanie Archer.  I’ll be back.

By this time, I needed to set out for the lodge.  Joan and I spent a generous hour pouring over her sketchbooks, nicely organized by Sandy.  We dug in deep, sharing about light and dark, texture, pattern and the act of creating.  It’s not everyone who can enjoy a conversation like that so much, but the two of us certainly did.  Sheila arrived and we shared yet another wonderful conversation.

So, it turns out, this was the landscape of my day two Fridays past.  I think of the women in my life as being remarkable in so many ways.  I am blessed by their goodness and their strength.  I am grateful.

Love and Heartache With the Hello Darlins

Video

As I sit down to write about an evening of Love and Heartache, I take pause, wondering how musicians feel about amateur videos being plastered around on-line. I’d like to post a couple here, but I hesitate. I’ll continue to take pause until such a time as I can connect with the artists. (Alright…so, I have permission, but my oh my, this takes time.) Return tomorrow for the inclusion of a little bit of music!) If anyone wants to see Purple Rain or the introductory acts, just let me know and I’ll add them.

It would have been a blessing if I had the opportunity on Valentine’s evening to babysit my grandson so that his Mommy and Daddy could enjoy the evening together. I know that my daughter had stocked the snack cupboard with chips and gin, so I was set. Their little family has been really really busy lately and dealing with, it seems, one type of cold or flu after another for a month, now. However, I was only too happy to accept the invitation to attend the selected event with my daughter, alone, because her husband had been struggling with illness for the entire week.

Kit Johnson, who, it turns out, attended Widdifield High School, as I did, in North Bay, Ontario back in the late 60s, was the opening act on the Ironwood stage. The show would be one dedicated to songs of Love and Heartbreak. It was obvious, from the start, that there was a positive and supportive audience gathered and I knew it was going to be a good-vibe sort of evening. I was really happy to be sharing an event with my daughter! Patrick led us in and we were seated in the very front, sharing a table with a lovely couple who seemed lit up with cheerfulness. Almost immediately, they shared that they were delighted to pick up these tickets for Valentine’s night.

Here, Kit is sharing the stage with Calgary-based vocalist/producer Candace Lacina and keyboardist/producer Mike Little. Hello Darlins was comprised of a fabulous cast of professional studio musicians. Apart from the percussionist, every single person did vocals that night and GOOD vocals, to boot.

The evening was a generous outpouring of talent, voices and positive intention. The music was top notch as a whole variety of blues, Americana and country spilled out into the crowd. Special guest, Joey Landreth, certainly contributed skill and energy to the mix! It was a perfect night!

I have the sweetest clip of guitarist, Murray Pulver, playing a tune that he sang to his bride twenty years ago, this after announcing that he didn’t think he had done the number since. Nice interlude from Joey. Love spilled forth as he performed.

Loree Harris Macdonald has a warm and buttery voice and did a fabulous job as back up singer to these dynamos. Such a commitment to the art was so evident in all of the musicians who shared this stage.

Allison Granger’s fiddle music and vocals…unbelievably sweet! Oh, man. No photos…most of the time, I was gobsmacked, singing along or recording. I have a cool one where she breaks out in a solo after Joey hands it over to her…so wonderful. That’s Mike Little on the organ. Amazing, dude!

Brett Ashton was tucked away in the back, near percussion (Thank you, Kent Macrae!) but seriously, who doesn’t love the bass? Big surprise?? The man can sing! I think mouths dropped and there was a hush in the room as he sang…if you can stand the cliche…like an angel.

I got pictures of this man. Who wouldn’t? He happened to be standing right in front of us. A remarkable musician! See Joey Landreth perform! Check out some of the professional videos published out there and wet your whistles. I suppose when people share their little bits from concerts, they are trying to capture a memory, as much as anything. They rarely represent the musicality, sound or the beauty and aesthetic of the event.

Producer/songwriter/performer Daron Schofield was exceptional, leading us near the tail end of the second set, with an interpretation of Purple Rain. I recorded the whole darned thing, I was so smitten, so I didn’t get a still photo. I wanted my sister-friend (a HUGE PRINCE FAN) to see the recording. In the end, I’m sad that I didn’t get a nice portrait shot.

As for Candace and Mike, well, they just seem to have hearts that are constantly bursting open and sharing good feeling with all. In fact, I was surprised that at the break, Candace made her way to me and hugged me because she felt so supported by me as I sang along. She agreed with me that the energy in the audience was magical. In the meantime, Mike was congratulating Larry and Cory, who, it turned out, were celebrating their 32nd wedding anniversary on Valentine’s Day.

This post hardly captures or even summarizes the energy and love that filled the Ironwood on Valentine’s night. Erin and I were tired when we set out to attend the event that night, agreeing that we needn’t stay for the whole show. In the end, I was thrilled by the show from beginning until end and we finally made our way slowly to the door during the encore. I highly recommend Hello Darlins, if you see tickets go up anywhere in our fair province.

Good to see you, Jackie and Rick!

If you’re in the band and this makes its way to you…let me know if I can post a clip or two. It was a brilliant performance. Thanks, Kit.

An Hour With Anna Gustafson

Sometimes it feels like I’m flying in to the evening programs at Esker Foundation.  The trek north on Deerfoot Trail is never optimal around the dinner hour.  It seems that the folk who have struggled their way south through rush hour traffic have made their way home for their wardrobe changes and are then all headed back to the core for their evening events.  Calgary is such a sprawl!  All that aside, when the program lists are published for the Esker Foundation, I always try to log on and register and fill in my calendar for the coming months.

Today, Anna Gustafson delivered a ‘making’ workshop at the Esker.  These programs are especially inspiring.  Because I wasn’t able to fit this one in, I was really motivated to listen to her talk last night and to see her work in Esker’s Project Space.  This exhibit, titled Object Lessons is accessible from the huge picture windows on street level 9th Ave SE.

Anna spoke about her transition from a piece titled Ghost Salmon (very serendipitous) into her shrouded works.  Initially, the image that she projected on to the screen of her Ghost Salmon work brought me back to some ideas I had once explored in my own studio.  My brother, Cliff, who runs a salmon charter in Comox named Cliff’s Chinook Charters, now has this piece at home with him.

Anna described her connection with other species and her sense of urgency around having a deep regard for sustainability.  I felt as though we were connected in our thoughts through some sort of umbilical…I was captivated.

Enjoy Anna’s beautiful website and click on this link in order to read through her process.

As she spoke about shrouding objects that represent our full-on consumption, I thought very much about the bags of litter I picked for such a long period of time at a single pond here in south Calgary.  Nothing ever seemed to change about the landscape that I picked….after months and years of clearing the flats, new litter would just move on in.  It came in waves.  It was no wonder that Anna’s fish nets filled to the brim with shrouded single use plastics hit me in the gut.

The exhibit is happening, in partnership with the New Gallery and Anna Gustafson is extending an invitation to the public to help her with the harvesting of particular household objects including remote controls, film and slide projectors, film cans, slide carousels, flashlights along with white cotton and linen fabric for shrouding. Donations can be brought to The New Gallery from 3 February to 19 April.

Anna has a very detailed record of where she is gathering these objects, as seen below.

I find it interesting that as I attended a second event last evening, I should still be thinking about Anna’s work as I encountered this display.  Well done, Anna, and thank you.  Thank you, Esker Foundation.

Painting From the Ground Up!

I will often have elementary teachers ask me why I paint on coloured construction paper rather than white paper or manilla coloured paper.  First off…let’s talk about a ground.

ground or primer is the background surface on which you paint. It is usually a coating such as a gesso primer, which physically separates your painting from the support. It is the foundation of a painting, applied onto the raw canvas, paper, or other support.

When it comes to elementary children, the teacher can provide the foundation for any painting and drive her/his own chosen outcome, in a way, by selecting the colour of the ground.  I always recommend construction paper.  It is reasonably priced, compared to the cost of bond paper and it has tooth!  Just like the teeth in our heads, paper has tooth.  The more tooth, the more easily it is for oil pastels, chalk pastels and tempera paint to adhere.  This is something to think about as you choose your activities and this is something they don’t always teach YOU in your methods classes.  Believe me, the learning never ends.

I thought that this week I might try painting the same subject (Valentines) with Division I students, but provide different coloured grounds.  What happens when you create a ground other than white, is that you highly energize the surface before you even begin.  It feels exciting and fun to go ahead with a project.  Next, a coloured ground will do something to colour, in this case, tempera paint.  Sometimes the effect is NOT desired…you will learn what works by experimenting with what is stock piled in your storage spaces.  Let the students leave little bits of their paper ‘shining’ through in places.  Notice how delightful these are compared to white paper coming through in places.

This week, with grades one, two and three, I reinforced the techniques of using a flat brush to make wide lines and the same brush to make thin lines.  Demonstrate, initially, to show the students how to pivot their brush to create thin lines.  They are actually surprised by this simple tip.  Now…for the grounds.

PURPLE CONSTRUCTION PAPER GROUND

BLUE CONSTRUCTION PAPER GROUND

YELLOW CONSTRUCTION PAPER GROUND

The paint colours you provide the children with are also important considerations.  For a class of 26, you want to mix up 15 buckets (two brushes in a bucket) (only 1/4 full) of mixed tempera.  In the three projects above, red and white are pure and out of the bottles.  Every other colour has a little something else mixed in.  You can do it!  For tints, pour in the white to fill the bottom of the bucket and add a drip of another colour.  See what happens.  You’ve done those colour mixing experiments with your students in science…you can make lovely tints of orange and add a bit of red and see how it changes.  No!  Don’t add black to red to make dark red!  Instead, add a little titch of blue and see what happens!

So, take a look at the paintings above and ask yourself how each ground changed the experience of very similar colours.  The paintings on yellow, were painted with an analogous colour scheme…red, yellow and white.

The other two sets of paintings included blue and so they were painted using a primary colour scheme….red, yellow, blue and white.

There’s a song out there, “I Hope You’ll Dance!”  My motto is, “I Hope You’ll Paint!”

Have fun!  And happy Valentine’s next week!

Wonder and Awe

Yesterday morning, at the edge of the Bow River, I met the new female Bald Eagle. I’ve been observing for the same nest for six years. I’m uncertain, still, about what happened to Mrs., the older female that had raised several young successfully over the years. She was a powerful bird, but last year, was looking a little haggard. From what I’ve read, she would have been either killed or pushed out of the territory by a younger female eagle. It is the way of youth and age.

This photo archives the last evening that I observed Mr. and Mrs. together at the Bow. The female is always slightly larger in breadth than the male. She is sitting on the left.

The photo, below, is from one of the last series I took of our Mrs., this after a series that showed that likely she had an injury to the talons on her left leg.

A young four/five year old appeared out of nowhere soon after, replacing Mom, in her amazing efforts to raise and feed the newly fledged juveniles. I took to calling her ‘the huntress’ because she had such a remarkable speed and was so generous in providing food for the two juveniles. I never captured a clear photograph of her with my Canon Powershot, but will see if I can’t get permission to post a friend’s photograph later.

The juveniles, now a year old, if they have managed through the winter, are now called Immature Eagles. They show slight mottling of the brown feathers and a little bit of yellow coming into their steely blue-grey beaks. I think that only one remains, but not really certain because after six weeks with the adults, they are pushed out of the hunting territory and forced to hunt on their own. I’ve made several sightings this winter of an Immature Eagle and also a two year old that is likely the one surviving fledge from the 2018 nest. Only 2% of Bald Eagles make it through their first winter.

A huge cold snap locked Calgary into -40 temperatures (with wind chill) for over a week and during that time, the huntress disappeared, although I made several sightings of Mr.

Then, something curious happened. Several of the Bow River birders and photographers were posting photographs of a new raptor, easily identifiable by her beautiful streamlined head and beak. My first observation of her was at a great distance above the river, looking down at her feeding on a deer carcass with an Immature eagle.

And now…I arrive at the ‘wonder and awe’ theme. Yesterday morning, I arrived at the river’s edge while the weather was still a melt. The wind blew ferociously the night before and melting snow puddled the banks and the pathways. I spotted her immediately and archived several amazing moments as this beautiful new female brought two large branches to build up railings at the nest. Shortly after, she and Mr. began to hunt together, soaring in circles, flying south, then returning to me until finally, she landed in a branch on my side of the river and with a good view of hundreds of Common Goldeneyes that were gathered too close for their own good.

My mouth dropped and I quickly started snapping photos. Three times, she left and returned, each time swooping low above the alarmed birds and then returning. This new female Bald Eagle is incredible and it will be a fantastic year, watching any nesting outcomes. Clearly younger, she is sleek looking and is very powerful.

Rebellious Alberta Women Artists

Last night, I attended a session titled Rebellious Alberta Women Artists, hosted by the Esker Foundation.  Thank you and gratitude to Esker Foundation for another class act! AGA’s Curator, Lindsey Sharman, did an amazing job of moderating a discussion/conversation with Toyo Kawamura, Teresa Posyniak, Lylian Klimek, Vera Gartley and Katie Ohe, allowing for a beautiful organic flow and powerful conversation about art, feminine presence, space, materials, context and making.  Nicely paced and not forced, this platform was beautiful from beginning to end.

Peppered with humour and heart felt grit, I found myself both weeping and laughing tummy laughs.  While a hugely-attended program, it seemed as though I was in a living room, hearing the voices of friends.

This morning, as I sit to write this post, however, I wish that I had the notes that were pouring out the tip of my neighbour’s pen and into her notebook.  I told myself to just savour the words and to let them surface as they will over the coming days, weeks and months.  I feel forever-changed.  Some experiences just do that for you.

Toyo Kawamura was such a gracious participant.  In terms of her narrative, a few stories were particularly special to me.  First, I was caught up by her memory of 15 minute drawing practice every morning while attending school, as a child in Japan.  I was impressed by Toyo’s consideration of the ocean currents, the use of sand in her work and recent meaningful shifts in her work.  Toyo shared several recollections of teachers, especially, her private art lessons with Mr. Michio Kuwada (a member of Shinseisaku association of artists).  Finally, I was delighted to listen to her describe time spent with her grandson, teaching him the art of Ikebana and her consideration of the space/atmosphere around an arrangement, as much as the elements within the arrangement.  This reminded me, very much, about my observations of a single bush at a pond and how light/atmosphere and weather impact the appearance of that bush.

Teresa Posyniak and Lylian Klimek then proceeded to amaze me.  When it gets to writing about Teresa, I have to say that it gets way too personal.  First thing this morning, I made certain that I left her a note via her website. Her words took my breath away.  (I know this post seems overly dramatic, but I refuse to understate my experience.)  Beginning with her artistic timeline and speaking about Sanctuary to the near present, I could relate with so many of Teresa’s concerns and why she responds through such powerful work.  Please, if you have the chance, link up with Teresa’s website. These are two very strong women who have explored large format works throughout their careers and have an amazing connection with the diverse qualities of materials.

I enjoyed Lylian’s description of her childhood wanderings and discoveries.  How the structures and experiences of the space and the land in Saskatchewan served as jumping off points for her work and her thinking.

I have to find a way to go north to Edmonton so that I can enjoy the exhibit presently on display.

Finally, Vera Gartley and Katie Ohe took the platform. I can only say that I felt as though I was sitting at a kitchen table delighting in the warmest and most authentic conversation ever between Vera and Katie.  Please tell me that someone was recording this.  I found myself in tears through this section…quiet weeping, however…I certainly didn’t embarrass myself.  At different points I was saying to myself, “This is historical…this will never happen again in quite this way.”  It was rich, thoughtful and inspiring to the greatest degree.  Thank you, Vera and Katie for your generous contributions to the evening’s event.

You spoke of humour, space, community, choices, dedication and the art.  Two inspiring mentors for the women of today!

Thank you to Lindsey who had the sense to let things flow.  Thank you, again, to Esker.

Katie said, “You’re the Painter.”

Video

There are certain people in the world who have the knack for inspiring me to be a better person (and I use the term BETTER as it expresses itself in humility, kindness, empathy and plain hard work and creativity) and one of those people, for me, has been Katie Ohe.  I don’t know that she knows that she has that influence with me, but this is how some one who is truly remarkable can be laying down seeds in other people’s hearts.

I’ve written about her a few times.

In 2013, I wrote about the objects that live in Katie and Harry’s home.

In 2017, I wrote about KOAC and the experience of a studio tour, led by my creative friend, Wendy Lees.

And also, in 2013, I looked for a way to process my connection with Katie through a poem.  You see, she had taken some time, in the light of her kitchen window, to leaf through the pages of her sketchbook with me, and to talk about the experience of having ‘painter’s block’.  She spoke with me about painting.  She asked me, with all sincerity, about me.  I felt affirmed.  I felt filled.

A few weeks ago, I knew that the exhibit of Katie’s work at the Esker Foundation, was drawing closer.  As would be the case, I thought that Katie might be surrounded by many people…important people…at the opening. I couldn’t imagine myself getting anywhere near her. When I saw that the Herringer Kiss Gallery was hosting an exhibit of early works by both Katie Ohe and Harry Kiyooka, I thought that I would take the chance to visit her at that opening, so that I might make contact and wish her blessings for the big event.

It turns out that I had a lovely chat with both Katie and Harry in the peace of the gallery.  She looked into my face and her eyes looked that remarkable blue and as she held one of my hands in both of hers, she said, “You are the painter.”

These words were/are transformative words.  I am changed in the way that I think of myself, in the way that I feel and in the way that I am processing the events of my life, even the simple every day events.  I can’t explain it.

Included here, a few of the images from the opening at the Esker Foundation.  I got no where near Katie.  It was such a mighty celebration of her art and her life, I felt it was just marvelous to witness her with friends, former students, well-wishers.  As I was negotiating my way from the bar and past the steps to the nest, at one point, she looked up and literally our gazes met in the big hubbub and we smiled at one another.  That was enough.

(I know…i sound like a blithering goofball here, but, Katie is a hero for me, as she is for so many others.)