Jen Hall came over to archive some work in the studio. I’ve been really aching to get a couple of pieces out into the world, one inspired by a poem by George Bowering(thank you, George)…
(a recent letter from George)
Hey, Kathleen,
I like your wolf in the snow
and I am glad that my words could have a part in it.
Hope to see them in the flesh, or charcoal, or whatever.
George’s poetry is so powerful, that to have words of his sent to me via electronic mail also feels like poetry.
Thank you, George Bowering
and another by Paulette Dube (thank you);
Paulette shaped a heart-felt message for me as well, but it stays here, tucked in my heart.
Paulette’s Words Take Flight
…but, I didn’t want to send the paintings out of the studio until I had them photographed. I’ve converted my old photo slides to digital recently and I realize that I used to tear out the door, often with wet paintings, in order to meet deadlines. If I photographed my works, they were haphazard trapezoidal shapes of every variety; they were unfocused and they hardly qualified as an archive at all. Here would be an example.
Hear it like a pounce upon a peak, oh
Look at what the light did now
Bear it like a bounce upon the beak, oh
Look at what the light did now
Land and water and bird or beast, oh
Look at what the light did now
Shiny little band or golden fleece, oh
Look at what the light did now
In my will I went ’til it’s wasted
Look at what the light did now
Taste the taste I taste ’til it’s tasted
Look at what the light did now
Bought it like a boast that burly beaming
Look at what the light did now
Got it like a ghost that girly gleaming
Look at what the light did now
Like a dead tree that’s dry and leaving
Look at what the light did now
Play it on me with grief and grieving
Look at what the light did now
I would finally fall to pieces
Look at what the light did now
We’ll meet soon as nephews… nieces
Look at what the light did now
It is good to have my paintings come home to me. This is truly the upside of down! When paintings DO return, I am able to look at them with fresh eyes and really enjoy them. This particular painting has not yet been professionally photographed, but it is such an important piece to me, I thought I would feature it here! The painting was inspired by two very special people; one, a poet named Paulette Dube who lives in Jasper and the other, a gent who uses film as his medium, Cam Koerselman. You can enjoy some of his work on Vimeo.
Paulette gave me permission to embed her words into this painting. I cried in the dark, while she gave her reading of these very words while Cam’s film rolled during the Caribou Blues festival two years ago.
Paulette’s words…as a response to my request of her words, were these…
You could “sail through an army of angels and not notice anything more than a mere freshening of the air.” (Thank you Ms. Lessing.)
Kathleen, well, right off let me tell you two things. I went for a walk today and I dreamed that my work would grow legs and walk into someone’s life. Looks like it is yours. Next, I opened the jpg and saw the elephant and the number 5. Elephants and me, well, I love them, and the number 5 is truth. So, long story short, of course I will send you the text I made for the Caribou piece. And I will do that after supper – right now, my sauce is boiling. Wanted you to know that I am honoured to send you the little bit I have to offer right now.
Thank you,
Paulette
SUCH GENEROSITY!!!!
The text embedded in the piece are, as she describes…a bastardation of works collected from, First Mountain, Thistledown Press, 2007, Gaits, Thistledown Press, 2010 and scenes written for the event. All rights reserved by author: Paulette Dube
Cropped: Paulette’s Words Take Flight
Detail: Atmospheric Environment inspired by Cam Koerselman
Huge ‘magic’ led me to Ellen McIlwaine and her music as she played for the Caribou Blues festival that same weekend. The first caribou piece was featured on the information publication for Parks Canada because of Ellen’s recommendation and for that I will always be grateful.