Water Spiral

On September 27, in the Wildwood Community Garden, you can celebrate the official launch of the Water Spiral at their 2nd Community Harvest Festival.  I’m not kidding you, I tripped out  to this community all the way from mine in the deep southeast of Calgary, in McKenzie Lake, just to see what wonders an eco sensitive community and two artists might create together.  What I found, amazed.

My epic journey was on June 7 and a lot has happened since then!

Wildwood Harvest Festival

While I can’t possibly write, this morning, about the entire process, I can write about the wondrous day that I walked through the garden.  What I saw, captured my heart.

On June 7th, the Wildwood Community hosted the Water Spiral Community Workshop.  It was with open arms that Michelena Bamford greeted my cousin, Margy, and me upon our arrival.  Lane Shordee, at the time, was quietly engaged with a young man who was doing something inventive with wood.  If you have opportunity to meet Michelena and Lane, you will see their humility first and then you will notice their greatness.  Both are actively engaged artists, but with a twist.  They both have a solid connection with sustainability and the earth.  Surprisingly, I connected with both first at the Gorilla House.

You can read about Michelena’s accomplishment by hooking into the Wolf Willow Studio website, some of which describes school mosaic mural construction and installation, public art projects and seasonal wreath construction.  Lane’s work is very diverse and his projects include important contributions to both the Wreck City and Phantom Wing.  They are both inspiring creatives in the City of Calgary and the fact that they got together and successfully pitched the Water Spiral project was a blessing.  For the complete process, hook in with the Water Spiral Facebook link that will take you through this labour of love from start to finish.  It is such an amazing story.

The smell of wood filled the air…the sound of hand saws and hammers to nails…children throwing water at one another…fathers with children, inventing…mothers, pushing strollers, exploring, chatting, meeting other mothers.  All was magic.

Wildwood5Margy and I first slipped into a trailer (Michelena’s family vacation mobile) to meet with Canadian Art Foundation Writing Award recipient, Jenna Swift.  She was inspiring written intentions and blessings that would later be etched onto the underground cistern of the Water Spiral.  Given the fact that brevity is not my strong point, I felt that writing was a way to release my intentions; it didn’t matter if my words were to land onto a cistern.  For me, the words were permanently etched on my heart.

I view myself as a ‘river’ woman..and so, I am completely enamoured with any project that has to do with sustainability, protection and responsible use of water.  This is how the Water Spiral works.

Paint wsI wrote of my connections with the protagonist Morag, a writer, who divines a river in Margaret Laurence’s novel, The Diviners.  For me, as Laurence eloquently captures, the river of our lives flows both ways.  We can not help but be connected.  We are fluid.  We breath one another in all day, every day.  We need to be responsible for one another; for the air, the land and the most precious commodity, water.  I wrote something about all of that on the blue-green piece of paper before me (generously donated by The Social Page).

Wildwood6From the trailer, Margy and I did not contribute in construction, but we wandered the grounds, dodged water spray and children playing, munched on apples provided by the Apple Lady, spent time sitting in the sunshine observing, and then went to explore the lay out of the gardens, just newly planted, but evidently, organized by a community of people who enjoy an aesthetic, as well as a love for the land.

Wildwood3The day was, as I call most days, a blessing-day!  I was so taken by  community members who welcomed us, chatted with us and encouraged us to seek out involvement and initiative in our own communities.

Wildwood Map There is much in Calgary to be grateful for and because we are physically, such a sprawl, we need to go outside of our own part of the city to connect with and enjoy the company and vision of other Calgarians.  It will be a wonderful thing to see the completed project and to enjoy the evidence of a great garden harvest in the Wildwood Community!

Wildwood1 Wildwood2I hope that my readers will find opportunity to attend the celebration of the Water Spiral on the 27th of September.  It will delight you…inspire you and give you optimism for a healthier future.

Busy Bees!

I showed the grade four students a couple of Youtube videos about the essential nature of bees to our agriculture.

We talked about the differences between the physical traits of wasps and bees.  We talked about the differences between caricature and realism, along with some examples.

bee KathbeeThe students were dealing with lines of symmetry in math, so I decided to have them choose an imaginary line of symmetry and to create two different compositions, without crossing that line.  I also thought that by creating a sort of frame, we would avoid desk clean-up at the end of day.  I think that the students produced some amazing pieces.  After that, they wrote a poetic/informational or descriptive piece containing things they had learned about bees, honey production or collapse of hives.  Once they peer edited with a friend, they recreated their writings on bright yellow paper.

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The Nuisance Grounds

“WELCOME TO OUR NUISANCE GROUNDS”, as Margaret Laurence, writer of The Diviners, aptly named that hidden place where garbage is tossed, shoveled, moved around and buried.

Photo Credit: D'Arcy Norman 2009 Spy Hill Landfill

Photo Credit: D’Arcy Norman 2009 Spy Hill Landfill

 

There is no judgment in writing this piece because I contribute generously, as well, to the dump (now, politically-labeled the landfill), it’s just that every spring, I seem to churn the soil and dig our communal secrets up again. They present themselves on the surface in the form of litter.  The story of winter refuse surrounds us.  We drive by it, step over it, complain about it and then wait for someone else to pick it up.

I met a homeless gentleman named Frank, three years ago, when I started picking up litter at a location where I walked my dog, Max, daily (still do).  Frank was one of five people who thanked me during that period of time.  I had been picking up a full heaping bag of litter every day for three months and he would sit and drink a beer, roosting on one of the slopes, gazing over the whole of the pond at the center of the flats.  He would place his beer can in a a plastic grocery bag and tuck it under a tree and after the sixth day, his neatly tied package would be offered up for pennies, nickles and dimes.  He said good-bye to me on his last day, after months of watching me pick.  He was heading for Vancouver for the winter and he thanked me for ‘making the place look good’.  I told him that the place was going to be named after him, Frank’s Flats.  The name has stuck.

A jogger thanked me.  She put down her plastic water bottle while doing her laps around the pond and asked if I would please not throw it away.  She told me that she would be picking it up after her run.  She said that the place looked great, because of me.

A man, getting up in years, thanked me.  He was walking his old pooch on the trail.  He asked, “You’re not from the city, are you?”  I said…”I live here. I’m a teacher.”  He thanked me.

A high school student thanked me.  A couple had been sitting on a bench that over looks the pond.  It was after school and they were curled up and smooching.  As I approached, they reorganized themselves and while I picked up plastic slurpee cups and chip bags and straws and fast food packages, they observed.  As I stepped past their bench, the boy called out, “Heh, thank you.”

Debbie thanked me.  She even told me that when she walked her dog, Rosie, she was going to start bringing a little bag with her and do the same.  This was such a warm and wonderful offering, one of the best things that happened to me that first spring and summer.

And so it went…for three months; I was observed by many and because I was observed so closely, I became interested in reactions and fascinated by the isolation that became  my experience.  User group members of the facilities above the flats and my encounters with them became a social experiment.  I became fascinated in the huge chasm that came between me and ‘the others’, more than the distance between two complete strangers…bigger than that!

To this day,  when I pick garbage, it’s as though I become invisible.  I am, all of a sudden, from a different social status.  If I was a city worker, I would be given higher status.  But, I am not a city worker.  That’s why I began thinking that the ‘garbage man’ must fit into one of Carl Jung’s archetypes, most likely a part of ‘the Shadow’.

There are all kinds of volunteers operating in the City of Calgary, picking up that packaging and advertisement that we unleash on to the wind, not giving a care about where it all blows, as long as it’s out of our sight.  If my readers are familiar with Christie in Laurence’s The Diviners or Mr. Jonas, the junkman in Ray Bradbury’s Dandelion Wine, you will realize the greater archetype that lives with the ‘garbage man’ or even the ‘janitor’, now labeled a caretaker.  Below, a spark note excerpt about Mr. Jonas, Chapter 35, Dandelion Wine.

“Mr. Jonas, the junkman, comes into town with his horse Ned and his wagon. He sings as he rides, and people line the streets to look at his goods. No ordinary junkman, Mr. Jonas had lived as a businessman in Chicago but decided to spend the rest of his life making sure that one area of town got a chance to take what the other side considered junk. He traveled through the town and only asked that people took something that they truly wanted, something they would use. Then the adults of children would put something of their own that they no longer had any use for in the wagon, and Mr. Jonas would be on his way, singing.”

From Christie, in The Diviners,

“By their garbage shall ye know them,”…The ones who have to wrap the rye bottles in old newspapers to try to hide the fact that there are so goddamn many of them. The ones who have fourteen thousand pill bottles the week, now. The ones who will be chucking out the family albums the moment the grandmother goes to her ancestors. The ones who’re afraid to flush the safes down the john, them with flush johns, in case it plugs the plumbing and Melrose Maclaren has to come and get it unstuck and might see, as if Mel would give the hundredth part of a damn. I tell you, girl, they’re close as clams and twice as brainless. I see what they throw out, and I don’t care a shit, but they think I do, so that’s why they cannot look at me….”

Similarly, Father Kevin Tumback used to tell a story on Ash Wednesday about a Rag Man…a metaphor for Jesus who traded parts of himself for the wounded parts of others.

I was just thinking, as another season of litter-picking faces the volunteers in our Calgary communities, it would be an awesome thing if we all became a bit more conscious…aware of our communications with those who are picking up our communal waste.  It would be a wondrous thing if the ‘garbage men’ were valued and appreciated.  It would also be a spectacular thing if we elevated ourselves as a collective, more conscious consumers, more attentive stewards.

You are welcome to join me at Frank’s Flats.  You only need to bring gloves.  Be in touch.

May 10, 2014 Frank's Flats

May 10, 2014 Frank’s Flats

May 16, 2014

May 16, 2014

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Amazed about the orange bag filled with litter…someone else picked today!

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A Day Spent With Laura Vickerson

The Esker Foundation opened its doors for a sculpture workshop on Saturday. Working with concepts and cardboard, the day was a celebration of invention.  Laura Vickerson met with us, first, in the darkened theater where our eyes feasted on a collection of images; sculptures created by former students.  I have never thought in three dimensions and signed up for this workshop as a way of moving out of my comfort zone and into space and form.

(I also forgot my camera.)

I wish that I had photographs of the cyclone of cardboard pieces!  The Esker had all materials and tools nicely laid out upon our arrival…caddies filled with straight edges and X-Acto knives, saws and such….stacks of cardboard boxes of every sort…a glue gun section with generous loads of glue sticks.  It was a dream come true for a creative!  WHOOT!

As preparation, on Friday evening, I perused Laura Vickerson’s website and thought a little about paper.  I’ve been working extensively on genealogy and knew that I would be dealing with memory, nostalgia and family some how…blood lines, as inspired by several authors I’ve been reading, memoir.  I just didn’t know what would be happening.

I also read snippetts on line from a context that Laura would be using as motivation for the work, Invisible Cities by Italo Calvino.

“Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
Italo Calvino, Invisible Cities

“You reach a moment in life when, among the people you have known, the dead outnumber the living. And the mind refuses to accept more faces, more expressions: on every new face you encounter, it prints the old forms, for each one it finds the most suitable mask.”
Italo Calvino, Invisible Cities

“The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.”
Italo Calvino, Invisible Cities

As I went about the house harvesting my own collection of boxes, I knew that the labels were very distracting to me and wanted, already, to minimize the messages that were so dominant AND irritating.  I knew in the morning that I would bring along my bucket of gesso...and even applied a first layer to some boxes before eating my breakfast and while drinking my first coffee.

In the dark theater, I liked the topographical handling of foam core in a few of the student works we saw.  Given more time, I really wanted to build a model of land forms in just that way, but knew that it would be a monumental task for a single day.

The sort of impact I would like to create...given more time.

The sort of impact I would like to create…given more time.

Laura was very supportive.  In her first go-round she seemed to be most interested in observing whether or not we would be using the tools safely.  I know that I would be nervous in a room surrounded by artists carrying knives.  Gradually we all hit our groove…once the anxiety around ‘an idea’ filtered out and we tore into the experience.

Thanks to Doug Haslam and Esker Foundation for taking photographs of my sculpture.

Sculpture Kath 3

Photo Credit: Doug Haslam and Esker Foundation

Sculpture Kath 4

Photo Credit: Doug Haslam and Esker Foundation

Sculpture - Kath

Photo Credit: Doug Haslam and Esker Foundation

Sculpture Kath 2

Photo Credit: Doug Haslam and Esker Foundation.

I could not help but look around me and marvel at the huge variety of approaches that were taken.  I was so impressed with some folk and their ability to manipulate the materials to create crisp, balanced forms.  While my piece feels unfinished, I am delighted with the direction it was taking and with the sorts of things that I learned about myself through the process.

Thanks to Laura Vickerson for her inspiring session and for listening to me as I muddled my way along.  So generous!

Winter Provides a Blank Canvas

I was writing about slowing down…observing…wee things.

I posted this photograph.

P1140599Lots has happened since those two mice made tracks in the fresh snow.

A rabbit enters into the picture.

A rabbit enters into the picture.

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Either a crow or a magpie seeks out mouse activity at the location.

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More mice.

I often think about the patterns, light and colour in nature.  No need to go tripping into the mountains to see the remarkable possibilities or to experience the narratives.  They surround us.

Alex Mulvenna gave me, as a gift, Andy Goldsworthy and David Craig’s book, Arch.  The year she left my class, I had been telling the students how much I would dream to own an Andy Goldsworthy coffee table book.  The gift is a treasure to this day.  Alex is now a woman.

Looking back, I remember the poetry assignment that I shared with my students every year in language arts.  Our school edges on a ridge and below, stretches the Bow River and an exquisite valley…Fish Creek Park links with a wildlife corridor that stretches all the way to the mountains.  We are very blessed.

Some time around May, every year, I assigned the students haiku poetry, but the hitch was to base their poetry on natural sculpture that they had constructed in the river valley.  I spoke to them about the sculpture’s fragility and that it must incorporate the potential for falling victim to the wind, rain, collapse…that purely natural elements to the location needed to be employed.  The project, designed to overlap Easter vacations, seemed, from my end at least, to be consistently successful.  I also asked that the students archive their project.

I continue to have two of these projects out in my studio.  I cherish them.  I cherished all of them.

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Saturday Morning Sketch

Baby skunk in nest.  Deemed a nuisance species, the skunk doesn’t have a great (as in positive) reputation for anything.  Regardless, I see all species as connected and requiring management.  The link I’ve provided gives sound advice, I think.

Just deliberating about how to paint a baby leather back turtle in a nest.  It seems to me that turtles make more sense in multiples, so I’m deciding if I’m going to paint more than one in a nest.  I’m suffering a bit of a back injury recently due to a hard fall on ice two weeks ago, so my days are quiet days, but very fulfilling.  My cousin Margy has headed south to Arizona, so this is a bit of a retreat…quiet…Rita Macneil Christmas music…toast in the toaster…hot coffee…and more quiet.

P1140508 P1140509For those of you who are watching for these wee guys…this.

skunktracks

Today’s Baby

Seems appropriate to look at a wee polar bear and stick him in a nest.  It’s so cold outside…so grateful though, for today’s blue sky.  I wish we could protect our wildlife…do something differently.  I read an article today that explained that mature polar bears are often so hungry that they turn on their own offspring for sustenance.  Some of these truths make me very sad…but I carry on, using the only medium I have at my finger tips to enter into the conversation…my art.

I haven’t left my house for two days except to shovel and throw the frisbee for Max in the back alley.  I feel as though I am in my own nest.  A bit of Christmas music, though…a bit of baking…and time at my kitchen table, painting, and I’m a pretty happy camper.

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My Thoughts on Tim Hortons…AGAIN

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Recently, the media shared with us that according to the Zagat Survey of Fast Food Favourites, Tim Hortons ranked within the top five.  I have to say that while the public may find their menu popular…and their coffee too, according to this one artist-chick, their stance on stewardship and the environment is in serious need of revision!  I cleaned up some days, between 30 and 50 Tim Horton’s on each walk while exploring whether I might change the landscape, one bag at a time.  In fact, one day I walked over to the Tim Hortons located on the edge of Frank’s Flats and approached the manager with 71 cups collected in a single day and asked if he might offer me a rebate or even turn those cups in for recycling.

The manager explained that, as yet, Alberta does not have the capability of washing the lining product from the cups and so the cups, primarily made of paper, can not be recycled.  There are no incentives offered for returning the cups either and so a large number of people out for their evening/morning/Sunday strolls just pitch their cups and plastic lids into the pond or along its edge.  Like many other Albertans, they surely believe that over time these products will break down in the weather and such, but nah…unfortunately, they just become smaller and smaller pieces of those things that they are.

I revisited this location to see how it has been doing…from a view of the big picture, it continues to be a pristine and beautiful place…hmmm…but, look up close and you will see a different sort of picture.

When I contacted Tim Hortons about their stewardship efforts, I was directed to their link on their website.  It explains goals of diminishing waste and environmental impact by 5%...again and again…if you look into it, over the last several years.  However, there is no acknowledgment of having reached any of those targets.  Tim Hortons sponsors various clean-up efforts in the city, but rarely do you hear of larger efforts to change the type of products they use or to design a new and cost efficient technology to deal with the recyle of their cups.

The Gyre

gyre [dʒaɪə] Chiefly literary

n

1. a circular or spiral movement or path
2. a ring, circle, or spiral

vb

(intr)to whirl

[from Latin gȳrus circle, from Greek guros]
I went back to the location where, for three months or more, I picked up a bag of trash a day; mostly plastics and fast food containers.  While drinking my coffee this morning, I spent time watching a couple of TED talks.  They got me wondering about the landscape that I had tended.

After listening to the artist, Dianna Cohen, I then moved on to Capt. Charles Moore.  By the time I had finished these two films, I became determined to make a conscientious effort to minimize my consumption of plastic even though the globe is deeply entrenched in its production, use and thoughtless discard.

Unfortunately, when I went back to Frank’s Flats, an idyllic place for many ecosystems and a harbour for waterfowl, I found so much plastic and waste that it brought me to tears.  I just find our community so detached from its actions.  I don’t really know what steps I can take to contribute to a change.  I pick up one bag of garbage every time I visit this special location.  It is a piece of land that I hold dear.

 

Gorilla House LIVE ART: August 8, 2012

I will post the video at a later date, but on this post.  For now, I’m including a few archives of last evening’s art battles.  The inspired concepts drawn for last evening’s piece were fairly abstract, I thought….and so, that’s where I went with my painting.  The concepts were 1. Lies 2. Two points and 3. Vanilla.

I went immediately to a 1970s National Geographic archive titled Where Oil and Wildlife Meet.  I thought that no matter what side you take with the issues of oil, sustainability, climate and wildlife, you might perceive the ‘other’ side to be telling lies.  I then focused on the concept of two points…linking it with the first issue I mentioned here.  From there, I thought of balance…and developed the three spheres, beginning with the white one (vanilla) linking the previous TWO POINTS.  The vanilla sphere is the quintessential 3D form; gradations of value, grounded, evidence of a light source, shadow…it is very physical, very tangible.  The red sphere represents passion, ideas, issues, anger, fear and it degrades and feels somehow less resolved than the white sphere.  The gold medallion…one dimensional, flat, about currency, cost, boundaries, revenue.

I like this piece and could have worked on it beyond the two hours allotted, but the Gorilla House contributes to an artist’s madness during the creative process/impulse and then , at auction, instantaneously, finds the work dashed into someone’s hands and home.  An interesting process!  Sarah, acquired the piece.