Grade Four’s Homage to Ted Harrison

A beautiful person and artist, Ted Harrison passed away on January 16, 2015, at the age of 88.  The world is losing so many heroes…and Ted is one.  Having a beautiful heart and eye for simplicity, he loved the northern skies of the Yukon and never failed to share his delight with anyone he met.

One of my big encounters with his illustrations was in the beautiful version of The Cremation of Sam McGee…a poem I used to challenge my grade sevens to memorize from beginning to end.  And every year, at least three students did!

I recommend that you introduce Ted Harrison to your classes.  For years, Ted’s work has inspired works by school children of every age.  When scented coloured markers came into vogue, so did another lesson based on Harrison.  It’s wild what variety of lessons we invented as art teachers.  The students loved it all!

Ted Harrison in Grade One Ted Harrison in Oil Pastel Ted Harrison in ChalkSomething I appreciate Ted saying in the video below is that if one is ever tired of life or inspiration, try looking up at the sky.

So, today…I looked up at the sky.

This morning, driving to school, I noticed a dappled sky above the rising sun…brilliant yellow, pink and orange, with a soft cerulean blue below an arch of cloud and an electric blue, above.  That was it…in the afternoon, I would paint the SETTING sun with the grade fours…thinking about chinook arches and dappled clouds over the mountains.  And so it went.

I line the back of construction paper with masking tape, when I can find the time.  This allows some durability.  Tempera paint tends to make paper, especially cheap paper, a bit crunchy after a while.  This way the work can be preserved for those folks who like to save things forever. (pointing at myself)

??????????Always use coloured paper for these paints as it creates a bit of an ‘under painting’ and activates the surface, taking away the intimidation of white or that ucky beige.  Below…see my favourite yogurt buckets.  Every art storage room needs at least twenty of these to be shared around.

DSC_1942Recess and the painting pods are readied…that, and a piece of chalk for drawing, placed at each desk.

??????????A paint station (Palette) is readied…two brushes in each bucket.  Students travel back and forth with colours agreed upon by every pair…back and forth they go.  The place is like a HAPPENING!

DSC_1945 DSC_1946I always work through a sample…don’t expect to have the students do something that you haven’t…how else will you know their struggles or the pitfalls of the lesson?

First…the short ‘review’ of dip, wipe and stroke.  Surprise!  You always discover that a lot of students haven’t handled a brush very much.  (Painting IS MESSY!!) Show them where to hold the brush…not at the white tip.  :0)  Explain how to share the paint center and remind them to keep two hands on the bucket on each journey to and from.

Regarding the composition, first I spoke about portrait as compared to landscape format and explained that just for today, the composition would be landscape.  I explained how clouds that are closest to the horizon line appear smaller…and as they are found higher in the picture plane, they can be depicted as larger and then they almost seem to come over our heads.  “Often, Ted Harrison outlined some basic shapes in his paintings and serigraphs…instead of painting up to the chalk lines, how about leaving some of the paper unpainted and the coloured paper will become the lines?” (some of the students got this)

“No…I don’t want you to do a giant sun.  No…no sunglasses…no rays…not today.”  I went back to describing how the morning sun had not yet shown itself, but that there was a really bright light next to the land.  I knew the sun was coming up.  So…for the sunset paintings, I hoped that the sun would be almost gone from the sky.  The teacher can always drive the vision…as long as he/she has one.  I’m sharing mine with my readers.  The teacher also benefits by allowing freedom within the vision.

“OH!  Why are those small clouds near the mountains the brightest?  YES!  The light from the sun is hitting them first because they are the closest to the light!

I explained that because the students were focused on the sky, the mountains needed to be located below the one third line. (Yes!  You’ll have to talk about dividing the landscape into thirds.)

The chalk is picked up and the students begin drawing, planning, and problem solving.

“Yes!  As soon as you’re ready, you can get your first colour. PLEASE, don’t everybody begin with the mountains!  Choose any colour and away you go!”

Magic happened.

DSC_1948 DSC_1949 DSC_1950 DSC_1951 DSC_1952 DSC_1953 DSC_1954 “Pick up a paper towel with your first bucket of paint.  This will be your place mat…slip it along the edges as you go and then you won’t have to wash your desk!  If this gets super sloppy, you might need a second place mat.” DSC_1956I asked the kind caretaker if I might have a bucket half filled with water in my classroom.  This would provide a portable sink.DSC_1957 DSC_1958 DSC_1959 DSC_1960 DSC_1961 ??????????Tonight, as I walked Max at the pond…I captured some of the clouds.  We had an energetic hike about the area.  It was so darned beautiful!

DSC_1968 DSC_1967 DSC_1966 DSC_1964A wonderful class!

Max Falls In!

By now, my readers are getting to know Max pretty well.  Yesterday, it was such an awesome autumn day…so golden-blue, that I took Max back on the loop where I once did daily walks with my Laurie-dog at the river.  The image below is a photo that I took on one of our final river walks.

Laurie and Kath 2My children and I sprinkled Laurie’s ashes along the path of his favourite walks…places he had shared with me over his 14 years.  I painted, as a result of his passing, a series called my Heaven Series, paintings that were rejected by the commercial galleries that represented me at the time, for the fact that they had ‘too much sky’.  Sigh…

September 7 2008 Max and Heaven 033I try to get Max back to these places before the snow flies and my favourite time is in the autumn.  Yesterday the yellow leaves were dancing on the ground.  There was just enough breeze and in the past couple of days the leaves have been on the change.

?????????? ?????????? ?????????? ?????????? DSC_0571Initially, Max was charged with excitement simply because we had such a steep drop into the valley and then there were gaggles of juvenile pheasants feeding in the open clearing left behind after utility and infrastructure revisions.

Interest Peeked

Interest Peeked

Poor photograph...but, yes, these are what caught his eye.

Poor photograph…but, yes, these are what caught his eye.

Where, once, I would throw sticks for Max from the broad perch of river rocks on the shore, most of the banks have dropped vertically into the water.  Max found one of the few locations on the east side of the river where dry rock could be found and there was no way I was clamouring down there, although he barked enthusiastically to prompt me.

??????????It was obvious to me that some huge shifts have happened with the river since the big Calgary flood.  For Max, these changes were not so evident.

As we continued south along the river, I think Max supposed that there were going to be some excellent locations for his activity of choice.  At one point, he took a mad dash from the path and I heard him briefly charging through the thick autumn brush and then….nothing.  Silence.  And yes…this is where he went in.  A tentative and anxious herder, Max has always loved the water, but up to his hips.  He has never had a swim.  He has always barked at sticks when they have flowed out of his easy reach.  Hmmm…this was to be a different sort of experience for him!  This is where he went in.

??????????I climbed my way through thick brush and heard his feeble cries. His situation came clear.  The current was kicking him down river, all the while his wee head was popping up and his strong legs were reaching up onto the wet, worn shoulder of the river.  Eyes, wide open, he caught sight of me and at my prompting, remained at one spot.  I urged his hard work and with a few strong efforts, he pulled himself up and into my waiting arms.

Sheesh.  Be warned!  I was a bad mama!  While on the west side of the river, I could see other families, children and dogs playing on a broad shore, there isn’t nothing of that kind on the east side.

This was excitement that we didn’t need…but, let it be known, my border collie has finally had a good swim!

Allen Sapp Skies

I met Allen as we shared an opening at the West End Galleries Ltd. in Edmonton, Alberta sometime early 1990s.  We sat together in the back space of the gallery.  He ate broccoli and dip…wore a big black cowboy hat and crossed his legs…I remember that part because he wore awesome cowboy boots and they were most evident with the gesture.  We shared few words, but the few we shared, will be forever cherished by me.  He gave me encouragement about my process and what I was doing.  He struck me as humble.  He didn’t look at my face.

Last evening, the skies were Allen Sapp skies.  Those of you who know his winter paintings of the open plains, know the skies that I write about.  It was magical watching the muskrats dip into the icy waters as I walked by the small dark circle remaining open on a white frozen pond.  A coyote loped over an embankment, mere feet from Max and I… the sky seemed to be painted in watercolour and the world was bathed in that soft yellow-pink light of a winter evening.

Allen Sapp

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