North Country Dreaming

Winter!  Beyond November, it seemed that Calgary would not suffer winter…no snow fell and the temperatures were surprisingly moderate.  But what came to crush us was the current run of sub zero temperatures, -22 with windchill sitting at -37 some days, for example.  We are into our second week of this.

I don’t take my camera out to take photographs on my walks with Max because of the frigid air.  Instead, I perused the images saved to my computer, things I haven’t written about and came to this collection of images from a Paul Kuhn exhibit in April of this year.  Such colour wakes us up from our winter sleep!  Art makes me happy.

My friend, Ed Bader, was featured in the White Project Room, with his exhibit, North Country Dreaming, but first, I enjoyed the bold colour of John Eisler’s (the cast), in the upstairs gallery.

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Ed and I attended the University of Lethbridge in a very  creative and high-energy period of its development from 1973 to 1977.  I include documentation of Ed’s conversation in the following series of photographs because I was intrigued by his large hand gestures.  I’m also including an early photograph of Ed, in conversation with our former drawing professor, Pauline McGeorge.  It appears that he has remained animated!

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1977 Dennis Burton opening

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The following photograph has been borrowed from the Grand Prairie Insider, Tuesday, April 5, 2016.

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Blue Valentine by Ed Bader: Collage

“In 2015 I executed a series of collages based on my 2010 photographs taken at the North Country Fair. The Fair is a recreation, on a smaller scale, San Francisco’s  “The Summer of Love”, with its’ wandering jugglers, clowns and numerous kiosks and festive tents selling alternative health remedies, workshops, massages, international crafts, souvenirs and CDs from the local to international groups that perform. I have appropriated the high key colors, flat florid graphics of California’s Sixties art and counter culture i.e the posters of Peter Max and the art style of the Beatle’s animated classic, “The Yellow Submarine”.  The goal of this body of work is to celebrate the vibrant energy and values of Northwestern Alberta’s own counter-culture.”

I remember that day not being able to really connect with Ed.  Openings are like that.  However, stepping back, I enjoyed watching him make other connections.  I felt very proud of him.  It was a big day.

When winter has you shivering, bring life to your experience by perusing the galleries.  On my list…Glenbow’s Beaver Hall Group exhibit and Otto Rogers at Paul Kuhn.

For You/And Me

 

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I met Ashleigh Bartlett at the Esker Foundation. I was participating in a workshop that was a visual response/reaction to the Jack Bush and Colleen Heslin exhibit, one of the most powerful visual experiences I had had for a very long time.  Ashleigh really impacted me with her approach to the workshop and I saw the evolution of non-objective forms more clearly than I had in the past.  I also became very engaged in process, materials and colour.

Ashleigh is presently working out of Boston and she has become a social media friend.  I enjoy visiting the art exhibits she attends through posted images and sometimes get to see work that I admire, through her eyes.  Most recently…just yesterday…she posted an image of a piece by Kara Walker, an artist I’ve been intrigued by the past several years.  Her paper cut outs related to the topic of slavery are potent and important.  Anyway, point being, social media may have its downfalls, but more often than not, it creates interesting connections.

Ashleigh Bartlett curated the current/soon departing exhibit For You/And Me at the Paul Kuhn Gallery.  I couldn’t let it leave town without seeing it.  After all, yesterday was a snowy and grey day.  One other person was wandering the gallery, but soon, I was alone in the space.  And…my readers know how I feel about that glorious feeling of being alone with work.  I’ve snapped some photographs of my favourite works.  I’d describe this group show as elegant and restful.  While colour on the larger fabric collages is intense, there is a dominant sense of balance and that leads the viewer into an experience of meditation.

In regards to my experience, I was curious about the technical aspects of the work.  There were some very engaging approaches to use of media.  Jim Verburg’s approach in his two layer paintings was lovely…so subtle, that photographs would not do them justice.  Paint on mylar in front of paint on mat.  Nice.  Jessica Groome’s Glimmer, Gazer and Pearl, documented below…my favourites!

 

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This little piece was probably the one I wondered about the most.  Mark Clintberg’s Two Coins was simple, but complex at the same time.  I like the projection of the shadow onto the back mat.  I like the texture of the embossed gold leaf.  I wonder about the connections with Felix Gonzales Torres’ Drawings and Sculptures.  This captures the sensibility of the exhibit in full…elegance.  Congratulations to Ashleigh, the participating artists and Paul Kuhn.

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I’d love to have Erica Mendritzski’s Girls hanging in my home.  This is the stuff that dreams are made of.

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