cSPACE

This afternoon, People’s Portrait Prize came down.  Yesterday, I was pleased to be able to immerse myself in all of the different pieces created by so many artists, all on my own.  As artistic subject matter goes, I especially enjoy portraiture.  Each artist relies on a subject/reference/idea, but puts down very personal marks during the process of painting, sculpting or drawing.  It was a fantastic exhibit, so varied and was demonstrative of the vision and effort of many people.  Congratulations to all of you!

I enjoyed the wander-about, as well.  It was a wonder I could wander out of the stairwells because I became captivated, as I always do, by Katie Green and daniel j. kirk’s Imaginarium, 2017.  I hope that they won’t mind that I did my point and shoot with my phone as I walked backwards up the stairs.  Amazing and surprisingly restful!

 

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Imaginarium by Katie Green and daniel j. kirk 2017

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Imaginarium by Katie Green and daniel j. kirk 2017

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Imaginarium by Katie Green and daniel j. kirk 2017

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Imaginarium by Katie Green and daniel j. kirk 2017

I stepped in and chatted with the gentleman at reception for Alliance Francaise (don’t know how to get that accent under that ‘c’).  I was smitten by the remarkable library and the impressive line up of activities that are handy for people who want to access resources or up their game as French-speaking Canadians.  A wonderful and welcoming spot!

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I was carried away by a variety of venues, all housed in cSPACE with a deliberate and tasteful aesthetic.  The Alberta Craft Gallery, as part of the Alberta Craft Council, was a really ‘happening’ place yesterday.  I loved the surprising and ephemeral works created by Dena Seiferling and Stefanie Staples.  Participating in an exhibit titled PERCH, is it any wonder I love this stuff?

Allison Tunis’s embroideries for Acceptable Bodies are flippin’ amazing!  Wowsah!

I guess I stopped wandering and started starting and stopping for the next longest while, completely swept up by the wonderful efforts by so many artists.  The portraits were next.   I couldn’t possibly grab a photo of all of the portraits that moved me.  My readers will get the gist…

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I’ve been following a portrait series by Chris Flodberg as he’s been posting bits here and there on social media, so it was really, with fondness, that I had opportunity to enjoy these ‘in the flesh’ so-to-speak.  These photos stink…but, I’m hoping you will follow the link that I’ve provided.  Chris is represented by the Masters Art Gallery, here in town.

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Portrait with Candles and Belt by Chris Flodberg Technique: oil on board Dimensions: 27×16 in.

I apologize…I didn’t even take note of the artist…but, had to photograph this one as I engaged it.  If you can help me out with the documentation, that would be great.

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Nick Rooney…an artist I met during my committed period at Gorilla House and then Rumble House, just always amazes me with his technical considerations, his hands-on approach to materiality and his connection with pigments as a traditional practice.

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Nick Rooney

Dawn Escobar…just a dear and beautiful human being.  This is a portrait she did of her mother.  I find it interesting that I migrated to this piece, took a photograph of it and this morning, I read the following message on social media.

“You enter with hopes of winning some thing knowing that the chances are small. Congratulations to those who did win 🎉. The second hope is that someone saw your piece and you touched them. 😊. Thank you for having the contest. See you if not soon, next year. 💐💐💐💐💐. P.s. mom enjoyed herself

Your work touched me, Dawn.

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I didn’t leave cSPACE without first stepping into Assemble Work/Shop and spoke with Anne Kirsten.  What a very exciting space.  I’m going to let me daughters know about this!  cSPACE is a bit of a wormhole…a person could disappear and not resurface for a very long time.  I just got a taste yesterday, but I’ll be back.

It was time to rush off in time to view Humans as presented by TheatreCalgary.  A nice light lunch was served and the Director, Vanessa Porteous, had opportunity to speak to us about her process, the play and future projects.

The day grew legs of its own.

 

Phantom Wing

Phones were busy at cSPACE last night, snappin’ pictures  of pretty much everything!  I’m feeling as though the internet is already swamped with images of the fantastical Phantom Wing, but who cares…here are a few more!

P1130047I go to these things alone…I know…it’s pathetic…but I’m really the driver of my own ship these days and find that my sails take me into the most magical places.  Sometimes my voice collides with another voice…sometimes not…it’s all fairly wonderful.  I DO thank the two gentlemen who seemed to have some interesting interactions with me about various spaces when we bumped into one another…and thank you for grabbing a photo of me at the wings!

P1130097 P1130098By the way, I’ve recently started a writing residency with the CPL, delivered by Barb Howard (I was intrigued by one of her published titles…Embedded on the Home Front : Where Military and Civilian Lives Converge) and have learned from one of the library books being passed about, on the topic of learning to be a writer, that a writing ‘rule’ is to avoid using adjectives.  My eyes were opened!  I am a freak who uses MANY adjectives.  Try to overlook them.

A few reactions around the various Phantom Wing exhibits…

I thought about education a lot….the ways that we have educated children over time.  Sorry for all of the dot dot dots…I just seem to NOT be able to write sentences right now.  My thoughts are disjointed.  Perhaps it is because I sat in a dentist’s chair for five hours on Monday, just to have my face go numb today…off I go again in an hour to have him ‘take a look’.  Sigh and back to the subject…

P1130072 P1130077 I felt sad for all of the dumb work sheets. (I never used the things…but see them used to this day by some.)

P1130073 P1130074 P1130075I felt sad for the controlling approach to almost everything.  But, let us remember that ALL of those teachers were being controlled at the very same time as you wee chickens were.  (Yes, I am a teacher.)

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Teacher's Rules in Sarah Birch, Michael Oxman, and Sara Peppinck's room

Teacher’s Rules in Sarah Birch, Michael Oxman, and Sara Peppinck’s room

I thought about how redundant things must seem/be sometimes in schools.

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Cliques are destructive.  I believe in being a person ‘on the fringe’.

I didn’t ‘belong’ to the girls’ group in school…any school…so, in the second floor bathrooms, where Melinda Topilko and Lindsay Joy had prepared for a Girl Gang Dance Party, re-inventing the all-lady bathroom space as a vehicle for girl talk in all its many forms, I felt very uncomfortable.  I exited as soon as there was talk about writing down your confessions…assuming that you did mean things in school.  Ah, but I remember being ‘the nice girl’.

P1130119 P1130120Because of my preoccupation with feeding and watching birds these days, the Winged Apocalypse piece left the deepest impression with me.  I mean, things have gotten so bad that I’ve actually visited my neighbour and talked to her reasonably about the cat Bylaw because she has a mouse/bird-tossing-cat that she watches each morning while drinking back her coffee and smoking her cigarette. In summary, this particular installation was meaningful.

Blue Jay at my Feeder Photo Credit: Kathleen Moors

Blue Jay at my Feeder Photo Credit: Kathleen Moors

One Sparrow Photo Credit: Kathleen Moors

One Sparrow Photo Credit: Kathleen Moors

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

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Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Winged Apocalypse (Jack Bride, Chris Zajko, and Jayda Karsten)

Some of what I saw and experienced just gave me a good feeling…re-purposing materials, the inventiveness and genius of people and their facility to expand upon their initial concepts into creativity. Some of the work was thought-provoking around many different topics…construction, architecture, reuse, resources, friendship, community.

Part of a glowing room of installations by the Prototype Lab collective — with Dana Schloss at PHANTOM WING: a predemolition project at King Edward School.

Part of a glowing room of installations by the Prototype Lab collective: a pre-demolition project at King Edward School.

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A performance by Sarah Smalik, Sara Tilley, and Jamie Tea inside their Gut-workshipping installation.

A performance by Sarah Smalik, Sara Tilley, and Jamie Tea inside their Gut-workshipping installation.

Suzen Green and Yvonne Mullock's "Politergeist" installation

Suzen Green and Yvonne Mullock’s “Politergeist” installation

Artist: Svea Ferguson

Artist: Svea Ferguson

Viewers in Jennifer Crighton's scary fairy tales installation.

Viewers in Jennifer Crighton’s scary fairy tales installation.

Part of the Waterways installation by Alia Shahab, Ivan Ostapenko, and Lane Shordee, in collaboration with Antyx Youth :a predemolition project at King Edward School.

Part of the Waterways installation by Alia Shahab, Ivan Ostapenko, and Lane Shordee, in collaboration with Antyx Youth :a predemolition project at King Edward School.

The Bells built a bell-installation. Leslie and Chris Bell collected over 50 fire bells over the past few years. The couple  re-purposed the fire bells to create a (relatively) zen, hand-powered sound installation.  The evening at Phantom Wing was spectacular.

Love Art In Calgary: cSPACE, Reid Henry & Phantom Wing

Wendy Lees of Love Art in Calgary planned another fantastic tour day on Saturday, September 21!  First…

…it is a magical thing to land in a spectacular ‘arts dream’ first thing on a Saturday morning…hot coffee, home made coffee cake and Reid Henry, first President and CEO of cSPACE projects…a yummy combination!  Thanks to Reid for giving his personal time to tour us about the cSPACE and for sharing ‘the vision’.  There is an extensive and mind-blowing website that I think MUST be journeyedHere, my readers will be able to see the trip that has brought Calgary arts and residential interests together, a unique explosion of concepts fired up in what used to be the King Edward School.  A huge architectural undertaking, the concept of providing for new artistic vision in our city is of paramount importance to Reid Henry.  That is obvious.

Our presenter has over 16 years of experience working at the intersection of urban, cultural and economic development, with a focus on non-profit real estate projects.  Evidenced by his session, he clearly articulates his passion for a collaborative and multi-disciplinary practice.  His vision, as a part of a collective of other equally-inspired partners, will redevelop this three acre, inner city site, including the 45,000 square foot King Edward School built in 1912, to serve and include a diverse and creative community.

Eventually, this facility will become a mixed use, multi-tenant arts hub and incubator.  It was a delight to hear and watch reactions expressed by various members of the tour group.  We were captivated by the presentation AND the concept,  mouths dropping as we rounded each corner.

While I wasn’t fully prepared to write today, it had to be done…so, perhaps, more to follow.  A huge event is just around the corner at the cSPACE in the form of Phantom Wing, an event that precedes the official demolition of a wing, one big step on the way to a whole journey of steps.

Directly from the Phantom Wing archive

PHANTOM WING is organized by independent Artist-Curators: Matthew Mark Bourree, Caitlind r.c. Brown, Jennifer Crighton, Shawn Mankowske & Natalie MacLean, with special thanks to Brandon Dalmer, Andrew Frosst, and John Frosst.

PHANTOM WING will be open to the public from September 24 – 29, 2013, as part of cSPACE’s showcase event also featuring YYC Fashion Week, Pecha Kucha #17, and Terry Rock’s Going Away Party.

Address of King Edward School: 1720 30th Avenue SW, Calgary, Alberta, Canada

“Here’s the thing: when you’re offered a pre-demolition space to make art in, it’s extremely hard to say no, despite your best intentions. When Deeter asked us to create a WRECK CITY at cSPACE King Edward School – the future home of a massive Arts Hub & Incubator intending to unite many of Calgary’s Artist Run Centres into an uber-mecca in 2016 – my initial response was “that’s impossible. WRECK CITY was all about independence and anti-institutionalism. How could we possibly repeat it?” It became more complicated when we began to discuss our responsibility to counter-culture, the necessity of independence, and the importance of letting the seed we planted with WRECK CITY germinate and grow – ya know, become it’s own thing.

However, the allure of checking out the space was too much for myself and my colleagues, and so we bit the bullet and went to see it. Of course, that was our first mistake. Our second mistake was allowing Deeter, an extremely charming and thoughtful fellow, to be so damn convincing. But we still weren’t entirely committed…

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Deeter Schurig (cSPACE Project Manager) showing me the King Edward School space

Shortly after exploring the abandoned wing of King Edward School with Deeter, the Artist-Curators sat down as a collective to discuss the prospects of the project. Almost immediately it became evident that another WRECK CITY would be impossible… but a new project would be entirely within the realm of imagination. After all, to be frank, we’re essentially opportunists. Plus, WRECK CITY wasn’t our first pre-demolition project and it won’t be our last (see The Leona Drive Project and The House Project). PHANTOM WING will be its own thing, with a healthy awareness of its origins and a mischievous/playful relationship with The King Edward’s institutional background. In the spirit of the future Arts Incubator, PHANTOM WING will work as an intimate, process-oriented opportunity, allowing a small selection of Artists/Curators a vast amount of space to think and work and build. And if it faintly echoes some of WRECK CITY’s awesome sense of community, then hey, who can complain?”

I wish to thank Reid Henry for his generous introduction of this space.  I was overcome with a nostalgic feeling as we traveled the empty school hallways, but also filled with a feeling of anticipation and excitement at such a glorious development in our city.  I am so grateful to the residents and the City of Calgary who have lived this process and made things happen, along with the initiatives of the visionaries.  Thanks to Wendy Lees of Love Art in Calgary who seems to unbutton and reveal to us new and exciting things in the city all of the time!

Looking forward to attending Phantom Wing and other exciting projects.  Following, some images that I hope will capture a sense of the unbuttoning…an art space to be watching as its development unfolds over the coming years.

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Excited Hands

Excited Hands

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