Marc Chagall: Time is a River Without Banks 1930-1939
The Diviners by Margaret Laurence…my favourite book of all time! I read it once every five years or so. Recently, while reading, I began to add its content to my clothing. (my father, at this point in reading, will articulate, in some fashion, as will my close friends…”What the hell are you doing, wasting your time?? Why aren’t you painting? To which, I might respond with something from Chagall’s titled work…”Time is a river without banks!” Or more likely, “I Don’t Know.”) I’m getting ready to have my portrait taken by Jen Hall.
As I explore the first chapter again, The River of Now and Then, I experience a huge affinity with the character that Laurence writes, Morag Gunn. Her’s is a search for identity. A very ‘Canadian’ read, I strongly recommend this book.
The river flowed both ways. The current moved from north to south, but the wind usually came from the south, rippling the bronze-green water in the opposite direction. This apparently impossible contradiction, made apparent and possible, still fascinated Morag, even after the years of river-watching.
The dawn mist had lifted, and the morning air was filled with swallows, darting so low over the river that their wings sometimes brushed the water, then spiralling and pirouetting upward again. Morag watched, trying to avoid thought, but this ploy was not successful.
The art of writing is the art of discovering what you believe. Gustave Flaubert
This past November, the Calgary Public Library provided the city with a beautiful initiative, One Book One Calgary; talks, discussion groups and events around the book, The Cellist of Sarajevo by Steven Galloway. An excellent guide has been provided by the Public Library, with questions and contextual information. I attended a couple of the events and was excited to hear, in panel; Steven Galloway, Author, Heather Slater, Director, Artistic Operations, Calgary Philharmonic Orchestra, and Michael Green, Curator and Creative Producer of Calgary 2012 as they explored, along with us, the role of Arts in Society. An excellent session that ended abruptly, as if on cue, with a four-truck fire alarm. :0)
Regarding the book, we are cautioned as readers of fiction rooted in true world events, that there is a potential for misunderstanding/misinterpretation and that for the most part, the reader needs to take responsibility to inform themselves and to read other books, both fiction and non-fiction, that might give light to historical events and the impact those events had/have upon the ‘real-time’ characters in the situation. The Cellist of Sarajevo is another such-book. The essay by Walter Trkla supposes that Steven Galloway does not care. I think that this may not necessarily be true…but certainly, when writing about someone else’s history, it is a supposition that can be taken. I’m not certain that Walter Trkla and Steven Galloway have been in conversation.
“In The Cellist of Sarajevo, the uninformed reader is not able to separate fact from fiction. One might assume Galloway does not know, nor does he care, if the reader knows the facts, since for most people in the West, including Galloway, our news is derived from media manipulation of events. As Galloway himself states, one of the people he interviewed, “Nenad Velicaovic, a Bosnian writer, shouted at him one day telling him to ‘Go home and write about Canada’. ‘You know nothing about Sarajevo.’ And he was right.” Galloway does not join the history of Sarajevo, he runs from it and in the end fabricates it. Galloway’s novel and its historical backdrop are manipulated writing that brings into question his main message on the impact of war on the individual.”
I’m thinking of other writing based on history…closer to home, the stereotypical “Cowboy and Indian” stories. I would not be too far off to state that, the viewpoint of the settlers of the west and those of the First Nations inhabitants of the day, would see these adventures of the west in a completely different light. I would also guess that the writer had NO first hand experience of the west, when taking the plunge to write about it. I think that it’s really important that we all educate ourselves about what is going on in the world so that we can be discerning readers.
Recently, I read The Wars by Timothy Findley. I know from much of my recent research that Findley successfully coloured the events of 1916 and based his fiction on truth.
As a result of the One Book One Calgary initiative, I was prompted by a friend to enter the Art for Peace contest, with three different age categories. Just today, I was notified that I am one of the winners, whose name was drawn for a prize, and can’t be more thrilled! Support your public library…it is more than a quiet place for research and silent reading…these days, a library is so much more!