Epiphany Tunnel Books

Oh my gosh…not a lot of writing is going to happen here, but I have to archive an activity that I’ve actually never practiced before and had opportunity to try today.  I have to say that the most difficult aspect of teaching a grade four class how to construct a tunnel book was teaching them how to fold creases as valleys and mountains…or let’s face it, how to fold creases at all.  Do my readers remember, as children, folding fans?  That’s all that’s required, really, but folding a fan seemed, at times, insurmountable.

All other concepts…near and far…background, middle ground, foreground…no problem.  I don’t know.  I’ll have to think about just how to make the folding easier.

What I DID do…I created a template and copied it twice for each student, providing, once folded, for the two sides of the tunnel book (accordion-like).  I marked out a series of lines, dotted from one side to the opposite side.  At some point, I’ll photograph my template and share it here, but, not tonight. What’s a tunnel book, you ask?

Tunnel books can be as sophisticated OR as simple as you wish. The book collapses flat, exposing a single composition.  Once pulled, like an accordion, a three dimensional sensibility is revealed. The Epiphany tunnel books that the grade fours created after I shared the story, The Gift of the Magi, were very basic.  Take a look at these.  These illustrate the more complex tradition.

Wim de Vos is a bit of a character…but, I like that he demonstrates the kind of artistry possible where a tunnel book is concerned.

I found the following photo on Amanda Watson-Will’s site and because there is no other photographer credited, I will assume this is her archive.

Wim de Vos

This is more like it.  I only wished I had seen this one before I began my lesson.

So, after the  story of the Epiphany star and the fine art of gift offering…I got the students started on a background panel, deciding that it made sense to work from the back up to the front OR the background to the foreground.

These are a sampling of the tunnel books made by these awesome, open and enthusiastic students!  Love them so much.

Requirements for their compositions:  A guiding light, a figure, gifts, foreground, background and middle ground.

Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 006Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 013Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 005Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 003Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 001Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 015Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 012Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 017Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 008Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 014Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 002Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 007Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 010Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 004Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 016Kath's Canon, January 7 2015 Gr 4 Epiphany Tunnel Books 018

Thank you, Colleen, for your class!  What beautiful children!

Thank You for Your Class: Journeying the Halls of a Fine Arts School

I have such a passion for beautiful art in schools.  Now that I am a guest teacher and the pressure is off…for assessment or data collection and recording, accountability and frustrating meetings…I am able to simply pleasure in the TEACHING and make observations and soak beautiful moments up…slurp them up…magical moments spring up easily these days.  I would like to give credit to the wonderful teachers who guided these activities, but I do not know their names…so, for the anonymous teachers who lead your students to beautiful experiences, I applaud you!  Perhaps these products will inspire other teachers to the PROCESS…the part of art that is everything!  Annie Smith would have highest regard for the fact that so much of this work is rooted in art history!

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Joan Miro: Off the Wall!

"Escargot, femme, fleur, et etoile", Joan Miro 1934

Automatism…that’s the fancy word for letting go and letting it be…whether the art is rooted in a mark, a feeling, or a dream.  It is a letting-go.  Inspired by one of Miro’s pieces, the grade eight and nine students fell into a rhythm of invention. Joan Miro was yet another artist who was so engaged with the heart of his soul that he struggled.  Yet, his work is laden with a sense of celebration and childlike creation. 

One Wall

Word

Kiss

I love words. I love to sing them and speak them and even now, I must admit, I have fallen into the joy of writing them. — Anne Rice