Alvise Came to Town!

Dang!  I wanted to document each and every monthly angel, with its creator, Alvise Doglioni Majer.  This time I forgot.

We had lots of creativity to talk about, though, and the minute I saw her, I was smitten by July!  Thank you, Alvise.  She has now officially joined the other ladies in the Journey Around the Sun series.  The summer critter to be represented is the honey bee.  Alvise has two hives on his property now and will expand to four next year.  I particularly enjoy the face, halo and wings on this angel.  She has a bit of a summer tan.

I’m enjoying a bowl of beef barley soup on this rainy chill of an afternoon.  I’m glad I got out to the pond this morning…so sad, however, to find that pesticides were being sprayed in an area where young geese were feeding and the other birds were still busily harvesting worms surfaced after yesterday’s rain.  I just don’t understand why we are not more invested in caring for delicate ecosystems.  Why would the pristine turf of a sports field take priority?  The city of Calgary website explains that the presence of broadleaf weeds is a tripping and safely hazard.  But…I digress.  I’m praying for the conversion of the human heart, in so many ways.

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Former archives.

Alvise Doglioni Majer’s Studio

Sunday Driving on Friday

April’s Angel

Road Trip and Angels

 

 

Morning Sketching: Rien Poortvliet

The last book I purchased at the second hand shop before leaving Belleville, Ontario was the dutch version of Rien Poortvliet’s Noah’s Ark.  It was an absolute treasure at $10.00. As I perused this comprehensive collection of animal and bird illustrations, I thought about how much I could learn by imitating the works contained, as a way of practicing.  It is a controversial thing…using another artist’s work as reference, but I think the important thing is to identify the intention and to be upfront about the practice.  Appropriation in art is a notion that needs to always be given great consideration.

P1120606 P1120607 P1120608 P1120609 P1120610I’ve decided that sharing my morning coffee with an art board is likely a healthy thing and will get me into the discipline of seeing…analyzing…exploring technique…and painting.  I will think of these as quick visual responses to Poortvliet’s works and in no way intend to create accurate renderings.  Beginning with the inside front cover, this morning I looked at these two elephants heading for the ark.  I’ve decided not to go beyond two hours and began this sketch at 6:00 a.m.  I don’t know if I will be able to sustain this practice, but I’m giving it a go.

I would love to hear from other artists about their thoughts on this exercise.  To learn more about Rien Poortvliet, known best for his Gnome illustrations, there are several bloggers who have collected various references about his life.  Look here and here, as a start.  I may just begin another page under the menu heading, ARTIST, where I will publish Poortvliet’s paintings followed by my sketches, but first I’ll see if I can make this a ritual.

A ritual “is a stereotyped sequence of activities involving gestures, words, and objects, performed in a sequestered place, and designed to influence preternatural entities or forces on behalf of the actors’ goals and interests.

Graham Krenz

I met the young artist, Graham Krenz, at the Gorilla House LIVE ART battles last week.  I had been admiring his work in a downstairs studio space for a couple of months, but had never met him.  Given my own exploration of endangered species and my longing to paint and talk about an eventual ‘complete’ Covenant Series, his work spoke to me on a more intimate level.

 

It is not an unusual thing for me to drive out of the suburbs and find a rabbit, lifeless on the side of a road…or the blue-black incandescent feathers of a magpie juxtaposed with the brilliant white of its lifeless body.  I’ve thought often about the proximity of human kind to animals and our encroachment on their spaces.  Graham’s work speaks of this in a powerfully sad way.

I think that submersing biblical text into my artwork causes people to read scripture.  Graham’s work creates a more ‘in the face’ statement by depicting the lifeless figures of these beautiful creatures on the surface of his work.  The viewer is compelled to ‘feel’ something about the subject matter.

In his own words about his art…

“I have, for the past year, spent almost every day in Calgary’s expansive
suburbs. Their scale and uniformity are staggering- but they are not islands.
There is a constant influx of wild and semi-tame fauna living out private lives in
every possible vacant space between homes. Many have been displaced and
many creatures have long since left the Calgary area, but some have stayed,
and many have carved out a niche that has allowed them to succeed and thrive.
Despite this superficially easy life, many die alone in fields or beside roads due
to human intervention or negligence.

There is always the argument that our effect is simply an indirect
consequence of our pursuit of comfort and happiness. That argument implies
we are accidentally constructing these vast tracts of stucco and concrete, and I
reject it entirely. We are directly responsible for an entire co-dependent
ecosystem of waste, scavenging and opportunism. A vacant lot does not revert
to nature. The layers of soil have been excavated and disturbed, the long grass
is choked with plastic bags and the dirt itself is polluted with shards of glass and
junk. It is a new ecosystem defined by the city surrounding it.

However, I haven’t noticed any profound physical suffering in the animals
I’ve encountered. I see coyotes so fat they barely bother to run away, and deer
cheerfully lounging on faux-stone front patios, safe from the comically well-fed
coyotes. They are as addicted to our food and comfort as we are.

I draw these suburban creatures after their death, whatever the cause. I
use ground chalk, marble dust, and water as my primary media and the work is
applied to supports salvaged from the never-ending conveyor belt of furniture
moving through our bedroom communities. Most of what we consider stylish
and comfortable today will not be recycled, and will surely end up buried
beneath our homes in the future. This is our suburban legacy: Animals addicted
to calories and humans addicted to furniture. Here they are, together at last.”

My Mother’s Hands: August 23, 2011

Max and Gramma shared some moments and quite frankly I couldn’t choose which one of these, so I’m including a few.  There is such a tender exchange between my mother and babies and my mother and dogs.  Tears well up in me when I think of those moments.

Soft Light and Tender Touch

 

Turning Toward Gramma

 

Soft

 

I Will Carry Your Love With Me