Since attending a workshop at the Esker Foundation last Saturday, I’ve been reading a little about the practice of Shibori and discovering the many ways that one can, using Indigo, create brilliant patterns on fabrics.
Keep in mind that this was my first experience.
Esker’s workshop presenter was Lyn Pflueger, generously assisted by Jeri, also from Bragg Creek. Borrowed from the 2009 Annual Report for the Immigration Services of Calgary, this beautiful photograph by Fritz Tolentino.
Everything about this workshop reminded me of working side by side with my mother…learning to crochet, knit, sew garments, embroidery and basket weaving. My mother loved these things. One of my biggest regrets is that I never had opportunity to learn the skill of weaving on a loom with Mom. She was an inspiring person for so many reasons. Lyn and Jeri demonstrated the same patience and the Esker programming staff was so wonderful, providing materials and a smooth pacing of the event. Thank you.
While I stitched a running stitch (the first technique described) I thought about Mom and while I evidently did NOT pull my stitches tightly enough (optimally, you achieve a beautiful white to contrast with the deep colour of the indigo), I enjoyed every minute learning the methodology, with intention of pressing forward with such exploration.
I decided to explore a gesture of the bush that I visit and document every day at the pond.I felt a lot of strength in my surroundings. I was emotional, I must admit. The technique at the bottom of the image is called binding, in this case, around soya beans. In the end, I wrapped these tightly enough so that the ink did not manage its way into the cloth. My running stitches, on the other hand, were not so successful.
Break here for a song that came to mind…I had heard the St. Mary’s University choir do a version of it…and I was thinking how I’d like to be with my Mom. She would so enjoy Shibori techniques!
The samples that Jeri and Lyn showed us were so absolutely beautiful. I liked the connection between the exhibit, Colleen Heslin’s work and the process.
The technique used for the samples below is a clamping technique. I have not yet documented my clamped sampler, but was pleased to learn this second technique.
An amazing process of dye baths and oxidation…all timed. It is easy to get absorbed by the interesting process of it all.
I managed to catch the gesture of the bush…very strong sense of the rock with the bound soya beans…a strong border, but the loss of some branches, likely by a pulled thread or two or three, lost and not knotted properly.
We enjoyed the various fabric samplers that demonstrated the limitless possibilities of applying these techniques and more to other types of fabric…felting, organza and others.
Thanks to all, for a beautiful morning at Esker! There was a powerful bonding to fabric artists, both present and those who have left this world…to feel that spirit of connection and creation was awesome!